Women in Radio by Geneviève A. Bonin-Labelle

Author:Geneviève A. Bonin-Labelle
Language: eng
Format: epub
Tags: -
Publisher: University of Ottawa Press
Published: 2020-09-11T00:00:00+00:00

Acknowledgements

The author wishes to thank the Social Sciences and Humanities Research Council of Canada for their support of this research, and participants and research partners for their inspiring collaboration.

Notes

1Andra McCartney, “Inventing Metaphors and Metaphors for Invention: Women Composers’ Voices in the Discourse of Electroacoustic Music,” in Canadian Music: Issues of Hegemony and Identity, eds. Beverley Diamond and Robert Witmer (Toronto: Canadian Scholars Press, 1994), 491–502.

2McCartney, “Outside in the Machine: Women Composers of Electroacoustic Music in Canada,” in Ghosts in the Machine: Women and Cultural Policy in Canada and Australia, eds. Alison Beale and Annette Van Den Bosch. (Toronto: Garamond, 1998), 181–210.

3McCartney, “Creating a World for My Music to Exist,” in With a Song in Her Heart: A Celebration of Canadian Women Composers, eds. Janice Drakich, Edward Lovarik, and Ramona Lumpkin (Windsor: Humanities Research Group, University of Windsor, 1995), 83–7.

4Caroline Mitchell, ed., Women and Radio: Airing Differences (London: Routledge, 2000).

5George E. Lewis, “The Virtual Discourses of Pamela Z.,” Journal of the Society for American Music 1, no. 1 (2007): 57–77.

6Lewis, “The Virtual Discourses of Pamela Z,” 57.

7McCartney and Ellen Waterman, “In and Out of the Sound Studio: Introduction,” Intersections Canadian Journal of Music 26, no. 2 (2006): 81–96.

8Frances Dyson, “The Genealogy of the Radio Voice,” in Radio Rethink: Art, Sound and Transmission, eds. Daina Augaitis and Dan Lander (Banff: Banff Centre Press, 1994), 167–88.

9As of March 1, 2020, the tool kit can be accessed at: https://www.ncra.ca/projects-and-services/womens-hands-and-voices/resources/gender-toolkit

10Waterman, “Purposeful Play: Women Radio Artists in Canadian Campus Community Radio,” Atlantis 30, no. 2, (2006): 76–87.

11Margaretta D’Arcy, Galway’s Pirate Women, A Global Trawl (Galway: Women’s Pirate Press, 1996).

12Charity Marsh, “In and Out of the Classroom: Reflections on Identity, Technology, and the Radio Project,” Intersections: Canadian Journal of Music 26, no. 2 (2006): 81–96.

13Waterman, “Purposeful Play,” 83.

14See Tom Sellar, “Parts of Speech: Interview with Pamela Z,” Theater Magazine 30, no. 2 (2000), http://www.pamelaz.com/theater.html.

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