Ornament and European Modernism by Loretta Vandi

Author:Loretta Vandi
Language: eng
Format: epub
Publisher: Taylor & Francis (CAM)
Published: 2018-11-21T05:00:00+00:00

82 In a preliminary drawing (1882, Niedersächsisches Landesmuseum, Hannover) the stone marker is carved to resemble a native American artifact in Leipzig’s Ethnographic Museum, the so-called “Slave killer” club. See Max Klinger, cat. no. 12, 272–73 and Karl-Heinz Mehnert, “Studien und Metamorphosen,” 160–67, 314–15. On this artifact, see Morton, “Ethnographic Vision,” 268–69. See also www.brooklynmuseum.org/opencollection/objects/17337/Slave_Killer_Club.

83 Klinger, Malerei, 38. Judging by Ettlinger’s account of it, Friedrich Lippmann’s collotype publication of the drawings (Berlin, 1887) would hardly have allowed this commentary. Luitpold D. Ettlinger, “New Books on Botticelli,” The Burlington Magazine 120 (1978): 397–98, 401, at 397. Compare Kenneth Clark, The Drawings by Sandro Botticelli for Dante’s Divine Comedy after the Originals in the Berlin Museums and the Vatican (New York: Harper & Bow, 1976), and Jonathan K. Nelson, “Sandro Botticelli (1444/45–1510),” in The World of Dante, ed. Debora Parker www.worldofdante.org/gallery_botticelli.xhtml (Institute for Advanced Technology in the Humanities, University of Virginia).

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