Seven Japanese Tales by Tanizaki Junichiro & Hibbett Howard & Howard Hibbett

Author:Tanizaki, Junichiro & Hibbett, Howard & Howard Hibbett [Tanizaki, Junichiro]
Format: mobi
Publisher: Silk Pagoda
Published: 2009-01-03T05:00:00+00:00

The Tattooer

It was an age when men honored the noble virtue of frivolity, when life was not such a harsh struggle as it is today. It was a leisurely age, an age when professional wits could make an excellent livelihood by keeping rich or wellborn young gentlemen in a cloudless good humor and seeing to it that the laughter of Court ladies and geisha was never stilled. In the illustrated romantic novels of the day, in the Kabuki theater, where rough masculine heroes like Sadakuro and Jiraiya were transformed into women — everywhere beauty and strength were one. People did all they could to beautify themselves, some even having pigments injected into their precious skins. Gaudy patterns of line and color danced over men's bodies.

Visitors to the pleasure quarters of Edo preferred to hire palanquin bearers who were splendidly tattooed; courtesans of the Yoshiwara and the Tatsumi quarter fell in love with tattooed men. Among those so adorned were not only gamblers, firemen, and the like, but members of the merchant class and even samurai. Exhibitions were held from time to time; and the participants, stripped to show off their filigreed bodies, would pat themselves proudly, boast of their own novel designs, and criticize each other's merits.

There was an exceptionally skillful young tattooer named Seikichi. He was praised on all sides as a master the equal of Charibun or Yatsuhei, and the skins of dozens of men had been offered as the silk for his brush. Much of the work admired at the tattoo exhibitions was his. Others might be more noted for their shading, or their use of cinnabar, but Seikichi was famous for the unrivaled boldness and sensual charm of his art.

Seikichi had formerly earned his living as an ukiyoye painter of the school of Toyokuni and Kunisada, a background which, in spite of his decline to the status of a tattooer, was evident from his artistic conscience and sensitivity. No one whose skin or whose physique failed to interest him could buy his services. The clients he did accept had to leave the design and cost entirely to his discretion — and to endure for one or even two months the excruciating pain of his needles.

Deep in his heart the young tattooer concealed a secret pleasure, and a secret desire. His pleasure lay in the agony men felt as he drove his needles into them, torturing their swollen, blood-red flesh; and the louder they groaned, the keener was Seikichi's strange delight. Shading and vermilioning — these are said to be especially painful — were the techniques he most enjoyed.

When a man had been pricked five or six hundred times in the course of an average day's treatment and had then soaked himself in a hot bath to bring out the colors, he would collapse at Seikichi's feet half dead. But Seikichi would look down at him coolly. “I dare say that hurts,” he would remark with an air of satisfaction. Whenever a spineless man howled in torment

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