Hundred-Dollar Baby

Hundred-Dollar Baby

Author:Robert B. Parker
Language: eng
Format: mobi
Tags: Private investigators, Private investigators - Massachusetts - Boston, Mystery & Detective, Fiction, Boston (Mass.), Suspense, Massachusetts, Fiction / Suspense, Mystery fiction, General, Thriller, Spenser (Fictitious character)
ISBN: 0399153764
Publisher: Berkley
Published: 2006-01-01T08:00:00+00:00


34

Ollie's clubhouse was locked. There was a big crime-scene sign on the door. But I had a key from Belson, and unlocked the door, and strolled brazenly in. I closed the door behind me and turned the bolt. It was very quiet. The only sound was the hum of the refrigerator against the wall of the outer room. The crime-scene people had dusted for prints and collected and bagged and photographed and studied and gone through the place like they were auditioning for CSI: South Boston. I didn't have to be careful. I opened the refrigerator door. It was empty. I looked around the room. It looked the same as it had. There were two windows. Each of them had a thick security screen. I walkeddown the short hall. At the end was a small bathroom. I looked in. It was empty of everything except the toilet and the sink. I went into Ollie's office. Nothing different. I looked around. There was a security screen over the window in Ollie's office. There were no other windows. No doors but the front one. I opened Ollie's desk drawer. Crime Scene had cleaned it out. The wastebasket was empty. I went back to the front door and began to walk through it.

Okay. Killer came in here. No one's here, or they are here and they leave, for whatever reason. TV might be on, might not. I walk across the room. Even if I've never been here before, there's no place else to go. Down the hall. Ollie's door is open. I go in. He is at his desk. He sees me. He doesn't open the drawer. Doesn't go for his gun. I walk over. Do I talk? Does he talk? Do I have the gun out? Do I take it out? Whatever happened, I am right across the desk, I lean forward a little, point my gun in front of me, and plug him in the forehead right above his nose. I pantomimed the shot. He snaps back, bounces forward, starts bleeding onto his shirt. I put the gun away. Turn around and walk out? Why would I stick around? Somebody might have heard the shot. Unless he had something I wanted. Crime Scene found no sign of anyone looking for anything. No way to know. Anyway, as soon as I can, I leave. I walk back down the hall, out through the lounge, and out the front door.

I stood at the front door and then turned around and looked at everything again. Nothing spoke to me. I went to one of the ratty chairs in front of the TV and sat and looked at the room and the hall. Nothing. I'd seen Belson do this for an hour. Simply sit and look until he saw something. Or until he was certain there was nothing to see. It was more than close observation. I always suspected that if he did it long enough, he'd begin to intuit what happened. He never said so.



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