Vampires, Zombies, Werewolves and Ghosts by Solomon Barbara H

Author:Solomon, Barbara H.
Language: eng
Format: epub
Publisher: PENGUIN group
Published: 2011-08-11T04:00:00+00:00

The first news had come out of a small Florida town on the Tamiami Trail. The name of this town was not as colorful as Wet Noggin, but it was still pretty good: Thumper. Thumper, Florida. It was reported in one of those lurid tabloids that fill the racks by the checkout aisles in supermarkets and discount drugstores. DEAD COME TO LIFE IN SMALL FLORIDA TOWN! the headline of Inside View read. And the subhead: Horror Movie Comes to Life! The subhead referred to a movie called Night of the Living Dead, which Maddie had never seen. It also mentioned another movie she had never seen. The title of this piece of cinema was Macumba Love. The article was accompanied by three photos. One was a still from Night of the Living Dead, showing what appeared to be a bunch of escapees from a lunatic asylum standing outside an isolated farmhouse at night. One was a still from Macumba Love, showing a woman with a great lot of blond hair and a small bit of bikini-top holding in breasts the size of prize-winning gourds. The woman was holding up her hands and screaming at what appeared to be a black man in a mask. The third purported to be a picture taken in Thumper, Florida. It was a blurred, grainy shot of a human whose sex was impossible to define. It was walking up the middle of a business street in a small town. The figure was described as being “wrapped in the cerements of the grave,” but it could have been someone in a dirty sheet.

No big deal. Bigfoot Rapes Girl Scouts last week, the dead people coming back to life this week, the dwarf mass murderer next week.

No big deal until they started to come out everywhere. No big deal until the first news film (“You may want to ask your children to leave the room,” Dan Rather introduced gravely) showed up on network TV, creatures with naked bone showing through their dried skin, traffic accident victims, the morticians’ concealing makeup sloughed away either in the dark passivity of the earth or in the clawing climb to escape it so that the ripped faces and bashed-in skulls showed, women with their hair teased into dirtclogged beehives in which worms and beetles still squirmed and crawled, their faces alternately vacuous and informed with a kind of calculating, idiotic intelligence; no big deal until the first horrible stills in an issue of People magazine that had been sealed in shrink-wrap like girly magazines, an issue with an orange sticker that read Not For Sale To Minors!

Then it was a big deal.

When you saw a decaying man still dressed in the mudstreaked remnants of the Brooks Brothers suit in which he had been buried tearing at the breast of a screaming woman in a T-shirt that read Property of the Houston Oilers, you suddenly realized it might be a very big deal indeed.

Then the accusations and the saber rattling had started,

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