The Music School by John Updike

Author:John Updike [Updike, John]
Language: eng
Format: epub
ISBN: 9780233964331
Publisher: HarperCollins Distribution Services
Published: 1966-01-01T05:00:00+00:00

In a few days, Orson had sorted them out. That jostling conglomerate, so apparently secure and homogeneous, broke down, under habitual exposure, into double individuals: roommates. There were Silverstein and Koshland, Dawson and Kern, Young and Carter, Petersen and Fitch.

Silverstein and Koshland, who lived in the room overhead, were Jews from New York City. All Orson knew about non-Biblical Jews was that they were a sad race, full of music, shrewdness, and woe. But Silverstein and Koshland were always clowning, always wisecracking. They played bridge and poker and chess and Go and went to the movies in Boston and drank coffee in the luncheonettes around the Square. They came from the “gifted” high schools of the Bronx and Brooklyn respectively, and treated Cambridge as if it were another borough. Most of what the freshman year sought to teach them they seemed to know already. As winter approached, Koshland went out for basketball, and he and his teammates made the floor above bounce to the thump and rattle of scrimmages with a tennis ball and a wastebasket. One afternoon, a section of ceiling collapsed on Orson’s bed.

Next door, in Room 12, Dawson and Kern wanted to be writers. Dawson was from Ohio and Kern from Pennsylvania. Dawson had a sulky, slouching bearing, a certain puppyish facial eagerness, and a terrible temper. He was a disciple of Sherwood Anderson and Ernest Hemingway and himself wrote in a stern, plain style. He had been raised as an atheist, and no one in the dormitory rubbed his temper the wrong way more often than Hub. Orson, feeling that he and Dawson came from opposite edges of that great psychological realm called the Midwest, liked him. He felt less at ease with Kern, who seemed Eastern and subtly vicious. A farm boy bent on urban sophistication, riddled with nervous ailments ranging from conjunctivitis to hemorrhoids, Kern smoked and talked incessantly. He and Dawson maintained between them a battery of running jokes. At night Orson could hear them on the other side of the wall keeping each other awake with improvised parodies and musical comedies based on their teachers, their courses, or their fellow-freshmen. One midnight, Orson distinctly heard Dawson sing, “My name is Orson Ziegler, I come from South Dakota.” There was a pause, then Kern sang back, “I tend to be a niggler, and masturbate by quota.”

Across the hall, in 15, lived Young and Carter, Negroes. Carter was from Detroit and very black, very clipped in speech, very well dressed, and apt to collapse, at the jab of a rightly angled joke, into a giggling fit that left his cheeks gleaming with tears; Kern was expert at breaking Carter up. Young was a lean, malt-pale colored boy from North Carolina, here on a national scholarship, out of his depth, homesick, and cold. Kern called him Brer Possum. He slept all day and at night sat on his bed playing the mouthpiece of a trumpet to himself. At first, he had played the full horn

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