The Art of Painting Still Life in Acrylic by Varvara Harmon

Author:Varvara Harmon
Language: eng
Format: epub, mobi
Publisher: Walter Foster Publishing
Published: 2016-03-15T04:00:00+00:00

Step 2 Now I fill in the darkest spots of the painting. For the shadows on the floor, use a combination of burnt umber and ultramarine blue. Paint the black book with the same colors, using more blue than brown as well as a little more white for the areas in light. For the dark green bits, mix phthalo blue, ultramarine blue, yellow ochre, and burnt umber.

Step 3 Next I fill in the mid-range tones, keeping my brushstrokes loose and not worrying too much about getting the color exactly right. The looseness will add some movement to the finished painting, and remember that you can always correct colors later. The most important part is to get the paper covered while getting an idea of the color relationships you want to develop in the painting.

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