The Media and the Models of Masculinity by Mark Moss

Author:Mark Moss
Language: eng
Format: epub
Publisher: Lexington Books
Published: 2011-03-14T16:00:00+00:00

NOTES

1. Catherine R. Stimpson, “Foreword,” in The Making of Masculinities: The New Men’s Studies, ed. Harry Brod (Boston: Unwin Hyman, 1990), p. xii.

2. Catherine R. Stimpson, “Foreword,” p. xiii.

3. Joseph H. Pleck, “The Theory of Male Sex-Role Identity: Its Rise and Fall,” in The Making of Masculinities: The New Men’s Studies, ed. Harry Brod (Boston: Unwin Hyman, 1990), p. 22.

4. See John Higham, “The Reorientation of American Culture in the 1890s,” in Writing American History, ed. John Higham (Bloomington: University of Indiana Press, 1970).

5. Waller R. Newell, The Code of Man (New York: HarperCollins, 2003), p. 55.

6. Waller R. Newell, The Code of Man, pp. 55–56.

7. See Mark Moss, Manliness and Militarism: Educating Young Boys in Ontario for War (Toronto, ON: Oxford University Press, 2001).

8. Ray Raphael, The Men from the Boys: Rites of Passage in Male America (Lincoln: University of Nebraska Press, 1988), p. x.

9. Joseph H. Pleck, “The Theory of Male Sex-Role Identity,” p. 22.

10. Christina S. Jarvis, The Male Body at War: American Masculinity during World War II (Dekalb: Northern Illinois University Press, 2004), p. 4.

11. Christina S. Jarvis, The Male Body at War, p. 4; Susan Faludi, Stiffed: The Betrayal of the American Man (New York: Morrow, 1999), p. 16; and Donald J. Mrozek, “The Military, Sport, and Warrior Culture,” in The Columbia History of Post–World War II America, ed. Mark C. Carnes (New York: Columbia University Press, 2007), pp. 131–136.

12. Leo Braudy, From Chivalry to Terrorism: War and the Changing Nature of Masculinity (New York: Knopf, 2003), p. 495.

13. Leo Braudy, From Chivalry to Terrorism, p. 507.

14. Peter Schjeldahl, “American Abstract: Real Jackson Pollock,” New Yorker, July 31, 2006, p. 80.

15. Deborah Solomon, Jackson Pollock: A Biography (New York: Cooper Square Press, 2001), p. 193.

16. See Joe Moran, Star Authors: Literary Celebrity in America (London: Pluto Press, 2000), p. 25. Moran comments that through a series of clever connections, such as the one between life and art, a unique image surfaced. In Hemingway’s case it centered on the creation of an active, manly man.

17. See Carlos Baker, Ernest Hemingway: A Life Story (New York: Collier/Macmillan, 1969/1988).

18. Paul Johnson, Intellectuals (New York: Harper & Row, 1988), p. 150.

19. Paul Johnson, Intellectuals, p. 151.

20. Paul Johnson, Intellectuals, p. 152.

21. Doug Owram notes in Born at the Right Time: A History of the Baby Boom Generation (Toronto, ON: University of Toronto Press, 1996), p. 7: “The idea of home, really an emblem for a million personal recollections of friends, family, and normal daily activities, seemed much more immediate and emotionally meaningful than abstract concepts like democracy, or faraway places like Poland . . . In fiction, magazine articles, poems, and newspaper stories, the vision of ‘home’ was re-created with hundreds of variations. Coca-Cola ads showed returning soldiers and sailors coming back into the embrace of the family.”

22. Elaine Tyler May, Homeward Bound: American Families in the Cold War Era (New York: Basic Books, 1999), p. 82.

23. “Dreamed,” was the operative word. Divorce was not a common or pleasant option.

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