Space Marines: Terminators (Warhammer 40,000) by Guy Haley & Graham McNeill & Gav Thorpe & Chris Wraight
Author:Guy Haley & Graham McNeill & Gav Thorpe & Chris Wraight [Haley, Guy]
Language: eng
Format: azw3
Publisher: Black Library
Published: 2015-03-15T00:00:00+00:00
Sanguis Irae
Gav Thorpe
Peace.
An almost impossible moment for one who had been raised in the hell of Baalâs radioactive deserts and who had spent a lifetime waging war against the foes of the Emperor, cursed by psychic powers so that even outside battle there was ever a contest to keep out the clamour of the warp and the minds of his fellow Space Marines.
Here there was nothing. Alone on the boarding torpedo, there was not even a pilot to disturb Calistariusâs contemplation. All was still. The torpedoâs launch provided enough silent momentum to carry the one-way transport across the few hundred kilometres of void to the Blood Angels Librarianâs destination.
No thoughts, no noise, just the barest murmur of background hum from the resonance of the warp itself.
The peace brought clarity.
Calistarius knew better than to fill this moment with distracting thoughts â concerns over the mission he was about to embark upon, ideas of higher philosophies or idle contemplation of the latest Chapter rumours and news.
He focused on himself and nothing else. A mote of life encased in a ferrolene and ceramite cylinder drifting across the vacuum of space, infinitesimally insignificant to the universe. He enjoyed the feeling of pointlessness. For just a few minutes Calistarius was totally freed from care. His righteous burden awaited him, but until the boarding torpedo plunged through the metal skin of the space hulk marked SA-BA-325 he was free from all responsibility and expectation.
His breaths came slowly, inhaling and exhaling in slow rhythm with the beating of his twin hearts, a soft after-shudder in his chest as his third lung inflated with a slight delay. His cardio-pulmonary system was a simple but enchanting quintet piece, occasionally accompanied by a solo percussion creak or ping from the hull of the boarding torpedo.
Calistarius had not known music as a child. The closest that the tribes of Baal Secundus came to orchestration was war drums and pyre dirges. It was only when he had passed the trials of the Blood Angels and become a son of Sanguinius that young Calistarius had learnt of instruments â of flute and riola, violin and helleschord, pantache and cymbal.
Before that discovery he had never heard the music inherent in the universe, not until he had been played symphonies composed to emulate the vast array of natureâs moods. He had listened with delight, his mindâs ear turning screeching chords to the howl of the Baal winds, the petulant percussion of tom-toms converted to the drumming foot beats of a carrion-reaper charging over the dunes.
A gift from the Blood Angels â civilisation. Art in all its forms: poetic, literary, visual and military. The legacy of mighty Sanguinius, that the deformed, radiation-scarred vagrants of the deserts could be lifted above their station and turned into demigods. Not just a physical transformation, but a mental, cultural uplifting as well. To be defenders of humanity one needed not only bolters and power armour, but a sense of what was so important that it required the keenest sacrifice. The boons of giant physique and razor-sharp mind were simply part of the exchange.
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