Prison Mars by Fairbanks Lauren

Prison Mars by Fairbanks Lauren

Author:Fairbanks, Lauren
Language: eng
Format: epub
Publisher: Redfiend Publishing
Published: 2023-12-02T00:00:00+00:00


Chapter 4

2015 AD

The Interview

Morticia and Raphael are sisters. Raphael has died. Raphael is interviewing for a job on Mars. This is Morticia helping with the interviewing for Raphael’s position.

Interviewer: Morticia, do you understand why we employ people like your sister in our Mars space station?

Morticia: Dead people like my sister?

I: Don’t look at it as bad sister helps dead sister get desired space station job.

M: Of course … no.

I: Live bodies are worrisome. This takes complications out of the equation. Brain work.

M: Clear to me. Bodies equal issues. Distraction

. . . maintenance?

I: Morticia, tell us about your sister.

M: She’s Mensa.

On the wall in front of her, Morticia, the questioned sister, views a conversation on film between the two siblings when they were younger.

I: Do you remember this particular conversation with Raphael? (Raphael is off-screen)

M: Yes.

I: Can you overdub both parts of the conversation to the best of your ability?

M: Sure. (uncertain pause) Here goes:

M: I say Raphael! Not that red whitening gel!

R: Why?

M: Choose Crest! Accepted by the American Dental Association.

R: Aren’t all toothpastes the same?

M: I read in My Ántonia that white teeth …

R: Mine.

M: Yours … are not strong or long-lasting as the tiny yellow, too brown variety.

R: Yours.

M: Mine.

I: Morticia, what will it mean for you, personally, if Raphael gets the position on the space station?

M: Amaze-balls! My sister in a position like that? My life is sure to change.

I: Your life. (pause) Tell me what you see on-screen. Now.

M: Middle-aged me. Morticia. Bejeweled. Walking my dog. Same as every day. Nothing has changed.

I: Authorities professionally gathered psychological information about Raphael. You, as opposed to the other relatives, have been silent and adamantly not forthcoming.

M: Not qualified to give psych info.

I: Afraid? To be scrutinized yourself?

M: There is that. Of course. No shortage of people marching in … to comment … would be my uneducated guess.

I: Correct. Those marching in have been scrutinized. They come off as extremely unstable. Axe to grind types.

M: Yes, my family. Family members are talkers. Replete with motives, low returns on money, expectations, implements of destruction.

I: Hatred. Biases. What is on-screen now?

M: My mother screaming, “You whore,” way too close to Raphael’s puffy teenage face.

I: Message being?

M: No secret there! The usual: You need a nose job? You are fat whore. You slut!

I: Please overdub your Mom talking here. Match with what you view on-screen.

M: “Stop eating so much. Let me make you some food.”

I: Raphael complained about parental inconsistencies. Understandable.

M: She saw the hilarity with the “Stop eating so much.” The “YOU’RE FAT.” The “Let me make you some food.” Syndrome.

I: Funny girl. Could laugh at herself.

M: Yes. Very funny girl. She would joke I’m fat, ugly and stupid. And someone would pipe in, “You’re not stupid!”

I: Hah! Ironically, stealing is what landed her with her mother in the burbs?

M: Everyone stole. She got caught. Never squealed. Lived by a never-squeal code.

I: What do you see on-screen now?

M: Our old neighborhood. My idea. Four little girls running to a beautiful anachronistic Southern mansion.



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