A Word, Only a Word — Complete by Georg Ebers

A Word, Only a Word — Complete by Georg Ebers

Author:Georg Ebers [Ebers, Georg]
Language: eng
Format: epub
Tags: Netherlands -- History -- Wars of Independence, 1556-1648 -- Fiction
Published: 2004-11-14T16:00:00+00:00


CHAPTER XIX.

Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master. So they went forward; at first rapidly, then at a pace easy for the horses. He told the coachman that Moor had alighted at the second station, and would ride with His Majesty to Avila, where he wished to find the carriage.

During the whole way, Ulrich thought little of himself, and all the more of the master. If the pursuers had set out the morning after the departure, and followed him instead of Don Fabrizio's party, Moor might now be safe. He knew the names of the towns on the road to Valencia and thought: "Now he may be here, now he may be there, now he must be approaching Tarancon."

In the evening the calash reached the famous stronghold of Avila where, according to the agreement, Ulrich was to leave the carriage and try to make his own escape. The road led through the town, which was surrounded by high walls and deep ditches. There was no possibility of going round it, yet the drawbridges were already raised and the gates locked, so he boldly called the warder and showed his passport.

An officer asked to see the artist. Ulrich said that he would follow him; but the soldier was not satisfied, and ordered him to alight and accompany him to the commandant.

Ulrich struck his spurs into the Andalusian's flanks and tried to go back over the road by which he had come; but the horse had scarcely begun to gallop, when a shot was fired, that stretched it on the ground. The rider was dragged into the guard-house as a prisoner, and subjected to a severe examination.

He was suspected of having murdered Moor and of having stolen his money, for a purse filled with ducats was found on his person. While he was being fettered, the pursuers reached Avila.

A new examination began, and now trial followed trial, torture, torture.

Even at Avila a sack was thrown over his head, and only opened, when to keep him alive, he was fed with bread and water. Firmly bound in a two-wheeled cart, drawn by mules, he was dragged over stock and stones to Madrid.

Often, in the darkness, oppressed for breath, jolted, bruised, unable



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