Japanese Homes and Their Surroundings by Morse Edward;
Author:Morse, Edward;
Language: eng
Format: epub
ISBN: 744724
Publisher: Tuttle Publishing
Great attention is devoted to the window which comes in the recess used for writing purposes. The frame of this window may be lacquered, and the lattice-work and shōji are often marvels of the cabinet-maker's art. Windows of curious construction are often placed in some passage-way or space at the end of the verandah leading to the lavatory, when one exists. The accompanying figure (fig. 154) shows a window of this nature, seen from the outside; the bars were of iron, and below the opening the wood-finish consisted of alternate panels of cedar-bark and light wood.
There are hundreds of forms of these windows, or mado, as they are called. The few to which allusion has been made serve to give one some idea of the almost entirely ornamental character of these openings. It is worthy of note that each form has its appropriate name, and books are specially prepared, giving many designs of windows and their modes of construction.
In the chapter on Gardens a few descriptions and sketches are given of other forms of windows belonging to summer-houses.
The open character of the Japanese house has caused the development of a variety of forms of portable screens, bamboo shades, curtains, and the like, upon which much ingenuity of construction and an infinite amount of artistic talent have been expended. The biyō-bu, or folding screens, are too well known to require more than a passing allusion. These consist of a number of panels or folds covered on both sides with stout paper. A narrow border of wood forms an outer frame, and this may be plain or lacquered. The end folds have the corners as well as other portions of its frame decorated with wrought metal pieces. Just within the frame runs a border of brocade of varying width, and on its inner edge a narrow strip of brocade; within this comes the panel or portion to receive the artist's efforts. Each fold or panel may have a separate picture upon it; or, as is most usually the case, a continuous landscape or composition covers the entire side of the screen. Many of the great artists of Japan have embodied some of their best works on screens of this kind, and the prices at which some of these are held are fabulous.
The rich and heavily-gilded screens now so rare to obtain are marvels of decorative painting. While the front of the screen may have a broad landscape, the back may be simply a plain gold surface, or have some sketchy touches of bamboo, pine, etc., in black. I have been told that the gold-leaf was so thick on many of the old screens, that the sacrilege has often been committed of destroying them for the gold contained on their surfaces.
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