Age of Iron by J M Coetzee
Author:J M Coetzee
Language: eng
Format: epub
ISBN: 9780241975459
Publisher: Penguin Books Ltd
Published: 2015-05-10T16:00:00+00:00
4
I have had a dream of Florence, a dream or vision. In the dream I see her striding again down Government Avenue holding Hope by the hand and carrying Beauty on her back. All three of them wear masks. I am there too, with a crowd of people of all kinds and conditions gathered around me. The air is festive. I am to provide a show.
But Florence does not stop to watch. Gaze fixed ahead, she passes as if through a congregation of wraiths.
The eyes of her mask are like eyes in pictures from the ancient Mediterranean: large, oval, with the pupil in the center: the almond eyes of a goddess.
I stand in the middle of the Avenue opposite the Parliament buildings, circled by people, doing my tricks with fire. Over me tower great oaks. But my mind is not on my tricks. I am intent on Florence. Her dark coat, her dull dress have fallen away. In a white slip ruffled by the wind, her feet bare, her head bare, her right breast bare, she strides past, the one child, masked, naked, trotting quickly beside her, the other stretching an arm out over her shoulder, pointing.
Who is this goddess who comes in a vision with uncovered breast cutting the air? It is Aphrodite, but not smile-loving Aphrodite, patroness of pleasures: an older figure, a figure of urgency, of cries in the dark, short and sharp, of blood and earth, emerging for an instant, showing herself, passing.
From the goddess comes no call, no signal. Her eye is open and is blank. She sees and does not see.
Burning, doing my show, I stand transfixed. The flames flowing from me are blue as ice. I feel no pain.
It is a vision from last night’s dream time but also from outside time. Forever the goddess is passing, forever, caught in a posture of surprise and regret, I do not follow. Though I peer and peer into the vortex from which visions come, the wake of the goddess and her god-children remains empty, the woman who should follow behind not there, the woman with serpents of flame in her hair who beats her arms and cries and dances.
I related the dream to Vercueil.
“Is it real?” he asked.
“Real? Of course not. It isn’t even authentic. Florence has nothing to do with Greece. Figures in dreams have another kind of import. They are signs, signs of other things.”
“Were they real? Was she real?” he repeated, bringing me up short, refusing to be deflected. “What else did you see?”
“What else? Is there more? Do you know?” I said more softly, feeling my way after him now.
He shook his head, baffled.
“All the days you have known me,” I said, “I have been standing on the riverbank awaiting my turn. I am waiting for someone to show me the way across. Every minute of every day I am here, waiting. That is what else I see. Do you see it too?”
He said nothing.
“The reason I fight against going back to hospital is that in hospital they will put me to sleep.
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