The Blair Witch Project by Turner Peter
Author:Turner, Peter
Language: eng
Format: epub
Tags: PER004020, Performing Arts/Film & Video/Guides & Reviews, PER004030, Performing Arts/Film & Video/History & Criticism
Publisher: Auteur
Published: 2015-01-30T16:00:00+00:00
REFERENCES
Aloi, P. (2005) ‘Beyond the Blair Witch: a new horror aesthetic?’ In: King, G. (ed.) The Spectacle of the Real: from Hollywood to reality TV and beyond. Bristol: Intellect.
Black, J. (2002) The Reality Effect: film culture and the graphic imperative. London: Routledge
Bordwell, D. and Thompson, K. (1993) Film art: an introduction. Palatino: Ruttle, Shaw & Wetherill, Inc.
Castonguay, J. (2004) ‘The political economy of the indie blockbuster: fandom, intermediality, and The Blair Witch Project’ In: Higley, S. L. and J. A. Weinstock (eds) (2004) Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press
Frappier, R. (2012) ‘Interview: why are found footage movies so popular?’ Available from: http://www.screenrant.com/popular-found-footage-movies-robf-154762/[Accessed14thNovember2012]
Hight, C. (2001) ‘Mockumentary: Reflexivity, satire and a call to play.’ Available from: http://www.waikato.ac.nz/film/mock-doc.shtml[Accessed11thJune]
Higley, S. (2004) ‘“People just want to see something”: art, death, and document in Blair Witch, The Last Broadcast, and Paradise Lost’ In: Higley, S. L. and J.A. Weinstock (eds) (2004) Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press
Hills, M. (2005) The Pleasures of Horror. London: Continuum
Ingle, Z. (2011) George A. Romero’s Diary of the Dead and the rise of the Diegetic Camera in Recent Horror Films. Ol3Media Available from: http://host.uniroma3.it/riviste/Ol3Media/Ingle.html
McDowell, S. D. (2001) ‘Method filmmaking: an interview with Daniel Myrick, co-director of The Blair Witch Project’, Journal of Film and Video, 53:2/3, pp. 140-7
Nichols, B. (2001) Introduction to documentary. Bloomington: Indiana University Press
Pryor, T. (1947) Lady in the Lake (1946) At the Capitol. Available from: http://movies.nytimes.com/movie/review?res=9C04E3DE123EEE3BBC4C51DFB766838C659EDE[Accessed30thJune2012]
Schopp, A. (2004) ‘Transgressing the safe space: Generation X horror in The Blair Witch Project and Scream’ In: Higley, S. L. and J.A. Weinstock (eds) (2004) Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press
Tresca, D. (2011) ‘Lying to Reveal the Truth: Horror Pseudo-Documentaries and the Illusion of Reality.’ Ol3Media Available from: http://host.uniroma3.it/riviste/Ol3Media/Tresca.html
West, A. (2005) ‘Caught on tape: a legacy of low-tech reality’ In: King, G. (ed.) The Spectacle of the Real: from Hollywood to reality TV and beyond. Bristol: Intellect.
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