LIFE Fleetwood Mac by The Editors of LIFE

Author:The Editors of LIFE
Language: eng
Format: epub
Publisher: Time
Published: 2015-07-24T20:30:00+00:00

FIN COSTELLO/REDFERNS/GETTY

Stevie Nicks (left) and Christine McVie (right) in the same studio.

A related point: Recording is hard work; however, it is, in the 1970s, just a part of making an album. Vinyl records are generally listened to from the first track to the last—rather than as a customizable assortment of iTunes downloads—so the timing of intervals between songs is carefully calculated. “If the break was too abrupt, the transition would feel too short, and that would disturb the flow,” wrote Ken Caillat in Making Rumours. “If it was too long, the listener’s mood would be broken.” The order of songs was obsessed over. Caillat claimed that the band’s assistant and den mother, Judy Wong, was ultimately responsible for the Rumours sequencing, though Nicks will later take credit for it, saying it’s her specialty.

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