I Am the Warrior by Holly Knight
Author:Holly Knight [Knight, Holly]
Language: eng
Format: epub
ISBN: 9781637584408
Publisher: Permuted Platinum
Published: 2022-09-26T13:14:38+00:00
Chapter Twelve
âWell Done, Young Lady!â (Rod Stewart)
Los Angeles, 1985
âI want to feel the breathless end that you come to every night.â
(âLove Touchâ performed by Rod Stewart)
Rod Stewart was many things: superstar, character, mischief-maker, soccer player, blond-lover, instigator, storyteller, and, for me, something of a traitor.
Most of my stories start with a phone call and this one came from Stiefel Management.
âPlease hold for Arnold,â the woman on the other end said before putting me on hold.
âHi Holly. Itâs Arnold Stiefel, nice to talk to you.â I had no clue who he was or why he was calling. Then he said, âI manage Rod Stewart.â
This is the point where I realized I had reached a new level. My name was getting around in the industry, I was part of the conversation when it came to matching writers with recording artists, and fortuitously, Iâd been part of a conversation with Rod Stewart. That blew my mind. Rod was rock ânâ roll royalty, right there in the upper stratosphere with Tina.
âRodâs working on a new record and wants to meet with you about possibly writing together.â
âIâd love to.â
âCan you come up to our office sometime this week?â
âOf course!â
Writing for famous artists was more difficult than you might imagine. It was always a fraught guessing game trying to figure out what they might need at any point in their career. There was usually a list of things to consider: What was their vocal range and the keys they liked to sing in? What was being written about them in the trades and tabloids? For instance, were they getting married, or going through a divorce, did they just meet someone new? It helped to stay one step ahead of them because then I could pitch them an idea that was more likely to resonate with them. And finally, how far outside of the artistâs box should I try to venture? After all, they were calling me for fresh ideas.
Cowriting with a famous artist had its risks too. On the one hand, if we wrote a song together, the chances of it ending up on their record increased because they were one of the writers. For them, that was a huge incentive. Theyâd have a writerâs credit and make money from their share of the music and the publishing. However, if they didnât end up recording it, then Iâd be stuck with a song that had their name on it, and that could be the kiss of death. No other recording artist wanted to touch it after that, the logic being, âIf so-and-so didnât cut it, it probably wasnât strong enough, so why should I record it?â I already had quite a few songs like that in what I referred to as my boneyard, songs that would probably never see the light of day.
In preparation for our meeting, I cancelled my plans for the next few days and hunkered down in my studio. Recently I had bought something called a plasma globe, a large, round glass ball that generated electrical currents inside.
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