Cavalier Giovanni Battista Buonamente by Allsop Peter;

Author:Allsop, Peter;
Language: eng
Format: epub
Publisher: Routledge

Notes

1 This was one of the examples included in J. W. von Wasielewski, ed., Instrumentalsätze vom Ende des XVI. bis Ende des XVII. Jahrhunderts (Bonn, 1874; 8th edn Leipzig, 1927).

2 This is transcribed in W. Kirkendale, L’Aria di Fiorenza, id est Il Ballo del Gran Duca (Florence, 1972), pp. 125–7.

3 R. Hudson, ‘The music in Italian Tablatures for the Five-course Spanish guitar’, Journal of the Lute Society of America, 4 (1971), pp. 21–42. P. Danner, ‘Bibliography of Guitar Tablatures (1546–1764)’, Journal of the Lute Society of America, 5 (1972), pp. 40–51. W. Boetticher, Handschriftlich überlieferte Lauten- und Gitarren-Tablaturen des 16. Bis 18 Jahrhunderts (RISM, Series B, vol. 8, parts 1 and 2).

4 John Wendland, ‘“Madre non mi far Monaca”: The Biography of a Renaissance Folksong’, Acta musicologica, 48 (1976), p. 189.

5 Biblioteca Estense, Modena: Libro XIV (Mus. F.283). There are also extensive ‘partite di Barabano’.

6 F. Hammond, Girolamo Frescobaldi: his Life and music (Cambridge, Mass., 1983), p. 200.

7 Among other modern editions of this piece, see A. J. Davison and W. Apel, Historical Anthology of Music, 2 (Cambridge, Mass., 1949–50), No. 199.

8 Buonamente’s Sonata 9 detta il Romanesco (1637d) does not employ a romanesca bass.

9 There is also a ‘Sonata sopra la monica’ in Marini’s Op. 8 (1626m/9). As Wendland observes, ‘Marini’s paraphrasing of the melody throughout this piece, however, renders the Monica nearly unrecognizable’; ‘“Madre non mi far Monaca”’, pp. 189–90). Since there is also very little correspondence between his bass and that of all other versions, the possibility that the piece has been wrongly titled must be considered. In any case it bears hardly any points of comparison with the Mantuan settings.

10 Ibid., p. 197.

11 Warren Kirkendale, L’Aria di Fiorenza, id est Il Ballo del Gran Duca (Florence, 1972).

12 M. Bukofzer, Music in the Baroque Era (New York, 1947), p. 46.

13 Hammond, Frescobaldi, p. 164. Frescobaldi included a setting in his Primo Libro di capricci (1624b).

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