Awake in the Dark: The Best of Roger Ebert by Roger Ebert & David Bordwell
Author:Roger Ebert & David Bordwell
Language: eng
Format: mobi, epub, pdf
Tags: Film
ISBN: 9780226182001
Publisher: University Of Chicago Press
Published: 2006-09-15T04:00:00+00:00
JUNE 21 , 2002
At a time when movies think they have to choose between action and ideas, Steven Spielberg's Minority Report is a triumph-a film that works on our minds and our emotions. It is a thriller and a human story, a movie of ideas that's also a whodunit. Here is a master filmmaker at the top of his form, working with a star, Tom Cruise, who generates complex human feelings even while playing an action hero.
I complained earlier this summer of awkward joins between live action and CGI; I felt the action sequences in Spider-Man looked too cartoonish, and that Star Wars Episode II, by using computer effects to separate the human actors from the sets and CGI characters, felt disconnected and sterile. Now here is Spielberg using every trick in the book and matching them without seams, so that no matter how he's achieving his effects, the focus is always on the story and the characters.
The movie turns out to be eerily prescient, using the term "pre-crime" to describe stopping crimes before they happen; how could Spielberg have known the government would be using the same term this summer? In his film, inspired by but much expanded from a short story by Philip K. Dick, Tom Cruise is John Anderton, chief of the Department of Pre-Crime in the District of Columbia, where there has not been a murder in six years. Soon, it appears, there will be a murder-committed by Anderton himself.
The year is 2054. Futuristic skyscrapers coexist with the famous Washington monuments and houses from the nineteenth century. Anderton presides over an operation controlling three "Pre-Cogs," precognitive humans who drift in a flotation tank, their brain waves tapped by computers. They're able to pick up thoughts of premeditated murders and warn the cops, who swoop down and arrest the would-be perpetrators before the killings can take place.
Because this is Washington, any government operation that is highprofile and successful inspires jealousy. Anderton's superior, bureau director Burgess (Max von Sydow) takes pride in him, and shields him from bureaucrats like Danny Witwer (Colin Farrell), of the Justice Department. As the Pre-Crime strategy prepares to go national, Witwer seems to have doubts about its wisdom-or he is only jealous of its success?
Spielberg establishes these characters in a dazzling future world, created by art director Alex McDowell, that is so filled with details large and small that we stop trying to figure out everything and surrender with a sigh. Some of the details: a computer interface that floats in midair, manipulated by Cruise with the gestures of a symphony conductor; advertisements that crawl up the sides of walls and address you personally; cars that whisk around town on magnetic cushions; robotic "spiders" that can search a building in minutes by performing a retinal scan on everyone in it. Blade Runner, also inspired by a Dick story, shows a future world in decay; Minority Report offers a more optimistic preview.
The plot centers on a rare glitch in the visions of the Pre-Cogs. Although "the Pre-Cogs are never wrong," we're told, "sometimes .
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