The Birth of Tragedy (Oxford World's Classics) by Friedrich Nietzsche

The Birth of Tragedy (Oxford World's Classics) by Friedrich Nietzsche

Author:Friedrich Nietzsche [Nietzsche, Friedrich]
Language: eng
Format: epub
Publisher: Oxford University Press, USA
Published: 2008-06-12T04:00:00+00:00


15

In the spirit of these last suggestive questions, it must now be said how the influence of Socrates has extended down through posterity to this very moment and indeed stretches out into the future in its entirety, like a shadow which grows in the evening sun, as the same influence again and again necessitates the re-creation anew of art—of art in the already metaphysical, broadest, and deepest sense—and how its own infinity guarantees the infinity of art also.

Before this could be recognized, before the innermost dependence of all art on the Greeks from Homer to Socrates had been convincingly demonstrated, we were obliged to undergo the same experience with these Greeks as the Athenians were obliged to do with Socrates. Almost every period and stage of cultural development has at one time or another with profound moroseness sought to free itself from the Greeks, because in comparison with the latter everything which has been achieved on one’s own account, everything which appeared completely original and was admired with proper honesty suddenly seemed to pale and flag, shrivelling to a failed copy, even to a caricature. And so there broke out again and again that heart-felt wrath against that presumptuous little people which had the audacity to characterize everything non-indigenous as ‘barbaric’: who are these people, one wonders, who, with only an ephemeral historical brilliance, only ridiculously limited institutions, only a dubious moral competence to show for themselves and who are even marked by ugly vices, yet lay claim to the dignity and exceptional status among peoples which is accorded to the genius among the masses? Unfortunately, one was not sufficiently fortunate to find the cup of hemlock* which could do away with such a being: for all the poison which envy, slander, and wrath produced was not enough to annihilate that self-sufficient splendour. And one feels ashamed and fearful before the Greeks; unless one respects truth in all things and so also dares to admit to oneself that the Greeks as charioteers hold the reins of our and every other culture in their hands, but that almost always the chariot and horses are too slight and frail to live up to the glory of their drivers, who then consider it a jest to spur such a team into the abyss: while they themselves jump to safety with a leap of Achilles.*

In order to show the dignity which such a position of leadership held for Socrates, one need only recognize in him the type of an unprecedented form of existence, the type of the theoretical man, whose meaning and goal it is our next task to investigate. Like the artist, the theoretical man takes an infinite pleasure in that which exists, a pleasure which likewise protects him from the practical ethic of pessimism with its eyes of Lynceus* which glow only in the dark. For if in the course of all unveiling of the truth the delighted gaze of the artist remains perpetually fixed on the truth which has been unveiled



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