Evolutionary Metaphors by David J. Moore
Author:David J. Moore
Language: eng
Format: epub
Publisher: Sixth Books
Published: 2019-03-26T16:00:00+00:00
Referred to as post-modern magic, or indeed ‘pop magic’, it is symbolised almost entirely by externalized influences, with little emphasis on interiority. As a modern phenomenon, on the fringes, it nevertheless represents a current of occult thinking in modern times. One commentator, the comic book artist Grant Morrison, mentions briefly the notion of a ‘hyper sigil’, a symbolic image which represents for the magician some will of which he wants to exert on to the world around him. The ‘hyper sigil’ is a larger version of an ordinary ‘sigil’, and for Morrison, ‘incorporates elements such as characterization, drama and plot. The hyper sigil is a sigil extended through the fourth dimension.’15 In other words, it is a dramatic cultural shift willed and enacted—or represented—through a cultural medium such as art, music or, in this case, Morrison’s imaginative comic books.
This type of experimental cultural manipulation is due to the fact that, as Peter Carroll says, ‘for the first time in history we live in a world where a substantial fraction of humanity has freedom of belief, and hardly knows what to do with it’, and this means that postmodernist, post-monotheist ‘culture has yet to formally explicate its ideal spirituality’ (2008: 55). This is where chaos magick steps in. Further on in The Apophenion he discusses a type of neo-pantheism which attempts to provide both an animistic and meaningful interaction with the environment. Uniquely, he places emphasis on the practicality of ‘magical thinking’, disposing it if it fails to work, and integrating it into its system of practices if it fails. Underlying his thesis, there appears to be no overarching metaphysic, or, in a sense, an evolutionary purpose—it is simply an experimental framework towards the rebuilding of a magical, metaphorical and analogical—even imaginal—worldview. He continues, ‘… if a superstition gives good results it gets reused, and coincidence rarely gets dismissed as mere coincidence… So if a synchronicity appears spontaneously we should consider interpreting it as an affirmation of deep intent, or a warning from the subconscious’ (2008: 60). And, as we have seen in the idea of ‘deep intentionality’, here Carroll acknowledges a similar ‘metaphysic’ in the sense of what he calls ‘deep intent’—this, essentially, is the closest chaos magic gets to an overall evolutionary ‘metaphysic’. In essence, Peter Carroll’s ‘chaos magic paradigm’ has its roots in phenomenology, for it incorporates direct experience based on its effectiveness and an active and creative relationship with reality.
Although there is a psychological dimension to chaos magic, what it is lacking is a vision of integration, of an emphasis on inner development. For example, when it posits the value of analogical thinking, it also understates the dangers of being misled. Ritual magicians warned precisely against these and projected—like Lyall Watson’s Amazonian healer—the psychological dangers into disembodied entities or ritual and symbolic situations. What this did was to contextualize the issue into something concrete; that is, they were explicitly reminding themselves that it had to be dealt with practically and as if it were an objective reality.
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