Creating Sounds from Scratch: A Practical Guide to Music Synthesis for Producers and Composers by Pejrolo Andrea & Metcalfe Scott B

Author:Pejrolo, Andrea & Metcalfe, Scott B. [Pejrolo, Andrea]
Language: eng
Format: azw3
Publisher: Oxford University Press
Published: 2017-01-04T16:00:00+00:00

Steps for Plan B

1. With just one carrier (no need for a modulator), take its output and feed it back into its own modulation input.

2. With an input level of around 40% you should have a timbre that closely resembles that of a sawtooth!

Sound Design 5.2— Square Wave

Continuing our theme of emulating sounds out of subtractive synthesis, let’s try making a square wave (see Figure 5.10). We know that square waves consist of primarily odd harmonics, so working with a ratio that avoids even harmonics is the idea, and that can be done by having the modifier at a higher ratio than the carrier.

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