The Rape of Europa by Lynn H. Nicholas
Author:Lynn H. Nicholas [Nicholas, Lynn H.]
Language: eng
Format: epub
Tags: History, Military, World War II, Art, General
ISBN: 9780307739728
Google: -fo7jn3WTDsC
Amazon: B00317G7O2
Publisher: Vintage
Published: 2009-12-21T16:00:00+00:00
Experienced as they were at setting up occupation governments, the Germans were having a much easier time than the Allies organizing themselves as rulers of truncated Italy. It was to be treated as a “Western” nation under the puppet Fascist government. This left responsibility for the incalculable art treasures of the country technically in Italian hands, but their care in the midst of battle, given Hitler’s desire to defend the entire peninsula, clearly would require the establishment of a special monuments protection organization by the German authorities. In these matters they were almost as inexperienced as their opponents, having protected nothing in the eastern battle zones, and having had little opportunity to refine battlefield techniques in the brief assault in the West. The two organizations in the vicinity concerned with such matters, a scholarly Ahnenerbe group known as the Culture Commission for South Tirol, which had been classifying “Germanic” monuments in the region, and the Kunstschutz in France, were not exactly combat-oriented.
They also had a completely new problem: global public opinion. The invasion of the Italian mainland had, for the first time, exposed the Nazis on their own turf to the untrammeled democratic press. Allied newspapers carried lurid accounts of the German excesses in Naples, and were circulating equally lurid and frequently inaccurate stories about their occupation of Rome. The looting of art and plundering of churches were said to be widespread, and it was reported that truckloads of art were being removed to the north. The French Pour la Victoire even ran a cartoon showing Michelangelo’s Moses about to be transported to Dachau.
The criticism was not all from the Allied side. Birds, this time not stuffed, were also a problem for the Germans: the newly appointed ambassador to Rome, Rudolf Rahn, was shocked to see paratroops, bivouacked in the magnificent gardens of his embassy, shooting and roasting the famous white peacocks which adorned the shrubbery. His protests to the unit commander were met with some disrespect.19
Field Marshal Kesselring was, of course, perfectly aware of the need to protect buildings and works of art. He had immediately assigned an SS officer from his Intelligence staff, a former employee of the Hertziana Library in Rome, to supervise the posting of Off Limits notices and to remove objects from combat areas to safe storage. But implementation of a coherent plan close to the constantly moving front was not easy, and the disparate units, fighting for their lives and furious at the thought of defeat, were difficult to control. Fortunately for Kesselring, the inexplicable slowdown of the Allied advance north of Naples in late October would enable him not only to create the terrible defenses of the Gustav line, but also to consolidate certain aspects of his occupation administration. For the Italian patrimony it was none too soon. Some of the removals to “safe storage” had rather gotten out of hand.
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