Travel Photography, 2nd edition by Davey Steve;

Travel Photography, 2nd edition by Davey Steve;

Author:Davey, Steve;
Language: eng
Format: epub
Publisher: Footprint Handbooks
Published: 2013-05-04T16:00:00+00:00


Making sweets, Kochi, Kerala, India

Nikon D3x, ISO 640, RAW. 24 mm. 1/100 second, f5.0

This man was making traditional Indian sweets in a small kitchen connected to a shop. He was more than happy to be photographed, but either due to a busy workload or shyness, he was very keen to be working. This was perfect for me as I was able to squeeze myself; unto the small gap between the fryer and the wall and take a number of pictures when his pose was right. His quiet concentration and tight contracted pose add to the atmosphere of the image. Needless to say my pose was neither as calm or as effortless. The large yellow pot in the foreground needed to be darkened slightly in Photoshop as it was nearer to the window and rendered too bright..

Half- or full-length portraits (Middle and right-hand images, click here) If what someone is wearing – whether it be a uniform or some characteristic local jewelry – is the remarkable thing about them, then shoot a half- or full-length portrait. This can give a clearer sense of their identity than a simple head shot, showing how people are dressed and what they are holding. The objects that people hold often say a lot about them: a musical instrument, a vegetable, a fishing net can all help to construct meaning.

Action portraits (Bottom image, click here; left-hand image, click here) If what someone is doing is the most significant thing about them, then opt for an action portrait, which shows them undertaking some sort of activity. People are often more willing to be photographed when they are doing something familiar. However, many will stop what they are doing in order for you to take their picture; encourage them to keep going. Not only will it make the photograph more natural but it can also provide an idea of their profession or character.

When shooting action portraits you should still try to get the eyes and face in the shot, even if they are not looking directly at you. A shot of the back of someone’s head is usually far less interesting.

Environmental portraits (Top image, click here; bottom image, click here; click here) If your subject’s relationship with their surroundings is more significant than their face or their clothes, then consider opting for an environmental portrait. This places them in surroundings that says something about them and which will often be the most remarkable thing about them. Many photographers find this style of portrait far easier to take, as you don’t have to engage quite so closely with people. It doesn’t have to be a natural backdrop; it could be an urban or even an historical scene. The environment should be carefully chosen to convey some meaning about your subject.

Groups Sometimes the most notable thing about a person is the community of which they are a part. Photos of groups of people can work very well, especially if they are interacting with each other. Groups have their own dynamic,



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