The Playboy Interview: The Directors by unknow

Author:unknow
Language: eng
Format: mobi
Published: 2012-11-21T16:00:00+00:00

Playboy: The loudest member of the pro-Altman critical claque has been The New Yorker’s Pauline Kael, who created a stir when she wrote an ecstatic review of Nashville based on an unfinished early version. This year, Kael reportedly claimed that she’s qualified to review Altman movies in this manner because she knows your work so well she can tell in advance what’s going to be left in and taken out. Is that true?

Altman: Did she say that? Well, I suppose she can. Pauline is such a student of film, she probably knows pretty well in which direction a movie is likely to go. In general, I don’t mind who sees a film in rough cut. I show them to lots of people without fear of reprisals, though I wouldn’t let Rex Reed see one of my films in finished form. He’ll have to buy his own ticket.

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