Lacan and Romanticism by Daniela Garofalo;David Sigler;

Author:Daniela Garofalo;David Sigler;
Language: eng
Format: epub
Publisher: State University of New York Press
Published: 2019-03-14T16:00:00+00:00

NOTES

1. Mark Akenside, The Pleasures of Imagination (Printed for R. Dodsley, 1744), ll. 56–9.

2. Andrew Ashfield and Peter De Bolla, The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory (Cambridge: Cambridge University Press, 1996), 89.

3. William Collins, “Ode to Fear,” in The Poems of Thomas Gray, William Collins, Oliver Goldsmith, ed. Roger Lonsdale (New York: Longman, 1969), ll. 5–8.

4. Ibid., 68–71.

5. Slavoj Žižek, The Sublime Object of Ideology (New York: Verso, 1989), 206.

6. Jean-François Lyotard, Lessons on the Analytic of the Sublime: Kant’s Critique of Judgment (Stanford: Stanford University Press, 1994), [Sections] 23–29, 123–24.

7. Joan Copjec, Read My Desire: Lacan against the Historicists (Cambridge, MA: The MIT Press, 1994), 236, 221.

8. Copjec, 236; Barbara Claire Freeman, The Feminine Sublime: Gender and Excess in Women’s Fiction (Berkeley: University of California Press, 1997), 10–11.

9. For Longinus, see D. A. Russell and Michael Winterbottom, eds., Classical Literary Criticism (Oxford: Oxford University Press, 2008). See Addison’s papers on “The Pleasures of the Imagination” in The Spectator, vol. 5, ed. Donald F. Bond (Oxford: Clarendon Press, 1965); Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (Notre Dame, IN: University of Notre Dame Press, 1986); Jadranka Skorin-Kapov, The Aesthetics of Desire and Surprise: Phenomenology and Speculation (Lexington Books, 2015).

10. Thomas Weiskel, The Romantic Sublime: Studies in the Structure and Psychology of Transcendence (Baltimore: Johns Hopkins University Press, 1986), 23.

11. Ibid., 24.

12. William Collins, “Ode on the Poetical Character,” in The Poems of Thomas Gray, William Collins, Oliver Goldsmith, ed. Roger Lonsdale (New York: Longman, 1969), ll. 1–2.

13. Weiskel, The Romantic Sublime, 24.

14. Ibid.

15. Ibid., 28.

16. Ibid., 25.

17. Ibid., 121.

18. Ibid., 26.

19. Ibid., 31.

20. Jacques Lacan, Écrits: The First Complete Edition in English, trans. Bruce Fink (New York: Norton, 2006), 418.

21. Ibid., 419.

22. Collins, “Ode to Fear,” ll. 1–2.

23. Weiskel, The Romantic Sublime, 37.

24. Ibid., 53.

25. Lacan, Écrits, 166.

26. For a full exploration of the details of the logical puzzled treated in “Logical Time” and its implications for the subject and the symbolic order, see Dieter De Grave, “Time to Separate the Men from the Beasts: Symbolic Anticipation as the Typically Human Subjective Dimension,” vol. 718 (AIP Conference Proceedings, AIP, 2004), 435–44, and Bruce Fink, “Logical Time and the Precipitation of Subjectivity,” in Reading Seminar I and II: Lacan’s Return to Freud, ed. Bruce Fink and Maire Jaanus, vol. 1 (New York: SUNY Press, 1996).

27. Lacan, Écrits, 174.

28. Ibid., 175.

29. Jacques Lacan, The Seminar of Jacques Lacan, Book XI: The Four Fundamental Concepts of Psychoanalysis, trans. Alan Sheridan (New York: Norton, 1978), 30.

30. Ibid., 32.

31. Ibid., 40.

32. Weiskel, The Romantic Sublime, 24.

33. Neil Hertz, The End of the Line, Critical Studies in the Humanities (Colorado: Davies Group, 2008), 18.

34. Harold Bloom, The Anxiety of Influence: A Theory of Poetry (Oxford: Oxford University Press, 1997), 111.

35. Paul H. Fry, The Poet’s Calling in the English Ode (New Haven: Yale University Press, 1980); Paul S. Sherwin, Precious Bane: Collins and the Miltonic Legacy (Austin: University of Texas Press, 1977).

36. Martha Collins, “The Self-Conscious Poet: The Case of William Collins,” ELH 42, no.

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