Clarkesworld Magazine Issue 64 by unknow

Clarkesworld Magazine Issue 64 by unknow

Author:unknow
Language: eng
Format: epub
Tags: science fiction, fantasy, magazine, short story, clarkesworld, science fiction magazine, fantasy magazine, short stories, semiprozine
Publisher: Wyrm Publishing
Published: 2011-12-31T00:00:00+00:00


They do not kill me right away. I take this as a good sign. They lift me onto a mobile platform and move me to a room with other platforms, some of them occupied by members of their own species. These ones do little in the way of moving or vocalizing, but they also leave me with two males holding weapons. I do not try to ask the killers for more gene donation.

Time passes. Other aliens — ones who do not carry weapons — are often present, watching me, waving diagnostic equipment over me, trying to communicate. I have no translating abilities without my fighter, so I must learn their language the slow way. I grow legs and arms, I learn to metabolize their sugars, I grow vocal chords and lips and a tongue to shape their words. I wonder if my fighter is irreparably damaged, which would mean all this effort to survive is a waste.

I am learning names. Mosby, Rosenberg, Liu; Ahmed, Levitt, Jones. But I do not know what to tell them when they ask for mine. I pause, they think I do not understand and gesture more vigorously towards me. Mosby Rosenberg Liu Ahmed Levitt Jones, they repeat, touching themselves with their hands, then they aim their digits at me and wait for an answer. What can I tell them? Sheekah are named when they choose their lifepath — as a pilot, my name is the name of my stellate fighter. Or at least it was. My fighter is damaged, I am no longer interfaced, and I have taken a new form, yet I am hardly in a position to ask them to name me as a true ambassador would. I cannot even communicate what the problem is.

“Ohree,” I eventually say. It was my childhood nickname long ago. Fitting, because I am so like a child now — awkward and unplaced.

“Ohree,” they repeat, and the name sounds distorted even though we share a vocal anatomy now.

I cannot explain anything, I cannot ask for anything. I can only point to an object and earn a garble of syllables for an answer. Does “medbay” describe the platform, the material it is made of, the function it serves, or the person lying prone upon it? Is “door” the word for an egress, or the object that blocks the egress? For the first time since I was a child, fumbling to find my lifepath, I feel hopelessly frustrated.

Liu and Rosenberg are in the room with me when I decide I no longer care about upsetting them. If they tell the killers to shoot me, then I will be shot, and at least that will be a change from what I am now. I slide off the platform, balancing uncertainly with my new bipedal body, and take careful steps toward one wall where there appears to be some kind of interface terminal. Rosenberg makes loud vocalizations, and I ignore her.

The terminal has a manual interface — buttons to be depressed by fingers, unthinkably primitive — which I rip out of the wall.



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