Caste, Entrepreneurship and the Illusions of Tradition by Geir Heierstad
Author:Geir Heierstad
Language: eng
Format: epub
Publisher: National Book Network International
Published: 2017-10-15T00:00:00+00:00
Again, previously there was only one type, a statement which all the Kumars I talked to agreed with. Whenever I spent time with them in the workshops and they had made a bangla image they commented upon it: âThis is the traditional styleâ; âThis is how we made them before.â As mentioned in the previous chapter, the little evidence concerning the style of pre-Gopeshwar murtis corroborates such a view (Robinson 1984, Varma 1970). The similarities were more striking; they had all the same round face with bamboo leaf-eyes and a pointed nose. And Durga, her children and Mahisha were all placed under the same chala, structure. The scriptural prescriptions concerning style were to a large extent reproduced in the murtis of those days (Robinson 1984).
Sundip, one of the oldest Kumars, with his ancestral home in Nadia district, adds to this picture:
Geir:I would also like to know more about the process of making idols and its changes. In which ways has the making of idols changed?
Sundip:Before we made many debi pratimas (goddess images), all with the traditional face. Now we make many works with Ganesh, the size has also changed, many want bigger images now[â¦]. Earlier it was the traditional face of goddess Durga, and then the concept was changed. The face became human-like, more like peopleâs, like man, not gods. At present there are again some people who prefer the traditional faces.
Geir:What kind of pratimas do you like?
Sundip:I like the traditional faces best, but I am a professional and must make what the customers want. We are professionals so we have to make what the customers want, but I personally like the traditional face because it is godlier and creates a type of devotion in my heart [â¦] in everybodyâs heart and that is not present in the face of todayâs god which has a more human-like face.
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