Audiobooks, Literature, and Sound Studies by Matthew Rubery

Author:Matthew Rubery
Language: eng
Format: epub, pdf
ISBN: 9781136733321
Publisher: Taylor and Francis
Published: 2022-06-15T00:00:00+00:00

Notes

Charles Dickens, Hard Times (Oxford: Oxford University Press, 1955), 5.

Charles Dickens, Hard Times, read by Frederick Davidson (Ashland, Ore.: Blackstone Audiobooks, 1993; Prince Frederick, Md.: Audio Adventures and Landmark Audiobooks, 2007). Davidson has also been a frequent audiobook narrator of le Carré’s novels.

Charles Dickens, Our Mutual Friend, ed. Michael Cotsell (New York: Oxford University Press, 1989), I.198.

Bernhard Schlink, The Reader, trans. Elizabeth Brown Janeway (New York: Random House, 1997), 184.

Peter Kivy, The Performance of Reading: An Essay in the Philosophy of Literature (Oxford: Blackwell, 2006).

The argument is most fully laid out in Friedrich A. Kittler, Gramophone, Film, Typewriter, trans. Geoffrey Winthrop-Young and Michael Wutz (Stanford, Calif.: Stanford University Press, 1999).

See “From the Author,” http://www.johnlecarre.com/biography.html, where the comparison with espionage is rounded out as follows: “Artists, in my experience, have very little centre. They fake. They are not the real thing. They are spies. I am no exception.”

These crucial terms are in adjacent paragraphs of John le Carré, The Mission Song (New York: Little, Brown, 2008), 52. Hereafter cited parenthetically by page number.

John le Carré, Tinker, Tailor, Soldier, Spy (New York: Knopf, 1974), 265.

le Carré, Tinker, Tailor, Soldier, Spy, 265.

John le Carré, Tinker, Tailor, Soldier, Spy, read by Frank Muller (Prince Frederick, Md.: Recorded Books, 1988).

John le Carré, A Perfect Spy (New York: Scribner, 1986), 399.

13 The Stoker novel is first discussed by Kittler in Discourse Networks, 1800/1900, trans. Michael Metter with Chris Cullens (Stanford, Calif.: Stanford University Press, 1990), 353–356, after which this one key scene of psychomagnetic telepathy is returned to in Kittler, Gramophone, Film, Typewriter, 103, with preliminary remarks on Seward’s dictaphone recording, 87.

Edward Bellamy, “With the Eyes Shut,” in Apparitions of Things to Come: Tales of Mystery and Imagination (Chicago: Charles H. Kerr, 1990), 153– 171. Hereafter cited parenthetically by page number.

See Kittler, “Learning to Read in 1800,” in Discourse Networks, 1800/1900, 27–52, in a chapter called “The Mother’s Mouth.”

See the main discussion of tape technology in Kittler, Gramophone, Film, Typewriter, 105–114.

John le Carré, The Looking-Glass War (New York: Scribner, 2009), 154. Hereafter cited parenthetically by page number.

Kittler, Gramophone, Film, Typewriter, 107.

The Looking-Glass War, read by Frank Muller (Prince Frederick, Md.: Recorded Books, 1988).

le Carré, A Perfect Spy, 155. Hereafter cited parenthetically by page number.

John le Carré, A Perfect Spy, read by John le Carré, abridged by Sue Dawson (Ontario, Canada: Listen for Pleasure, 1986). The unabridged version is A Perfect Spy, read by Frank Muller (Prince Frederick, Md.: Recorded Books, 1987).

John le Carré, A Most Wanted Man (New York: Scribner, 2008), 265.

John le Carré, The Mission Song, read by David Oyelowo (Westminster, Md.: Books on Tape, 2006).

John le Carré, The Russia House (London: Hodder and Stoughton, 1989), 439. Hereafter cited parenthetically by page number.

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