Alien Agenda Investigating the by Jim Marrs

Alien Agenda  Investigating the by Jim Marrs

Author:Jim Marrs
Format: epub


FACE-TO-FACE 205 return home and type out detailed notes of the conversations on an old typewriter. He claimed that Semjase arranged for the conversations to be “played back” in his mind, allowing him to type them up verbatim with his right hand. When the contact with Semjase and the Pleiadians ended in October 1978, Meier had counted 115 face-to-face meetings that produced more than 1,800 pages of notes, hundreds of unusually clear and detailed color photographs and slides, and at least one film of the Pleiadian “beamships.” It was “the hands-down greatest UFO case of all time,” effused one researcher, “the biggest, most spectacular, longest-running, most productive case in the history of the phenomenon.” But was there proof that any of this was anything other than a brilliant, complex hoax orchestrated by this near-penniless, one-armed Swiss security guard? The arguments for hoaxing start with the fact that the clear and colorful photos of the “beamships” simply appear to be too good to be true. Large detailed UFOs can be seen in Meier’s photos hanging in the clear Swiss alpine air over breathtaking vistas of verdant valleys. “When someone brings you pictures like this your first reaction automatically is, ‘This is a lot of crap,”’ said Willy Bar, owner of Bar Photo, where Meier brought his photos for developing. “I never saw anything suspicious in the black-and-white film I developed, nor was I ever told to manipulate anything. ... My personal opinion was always, ‘I don’t know about UFOs, but the pictures are real.’” The most damaging evidence against the validity of the Meier photos came from Martin Sorge, one of the hundreds of people who flocked to Meier’s farm once his story reached the public. Although Sorge was impressed with Meier and the consistency of his story of Pleiadian contacts, he remained skeptical. One day after he witnessed an argument between Meier and his wife, Popi came to him and gave him several color slides that had been charred by fire. The slides were of a model spaceship in various settings, and Popi admitted that her husband had worked with models. Sorge decided to see if he could also use a model to duplicate Meier’s early pictures. He was partially successful. He admitted that his photos were not up to the quality of Meier’s, and author Kinder described them as depicting “a crude and somewhat stark beamship frozen in an otherwise familiar setting; but they lacked the feel of Meier’s, the natural relationship that appeared to exist between his background and his ships. They had no depth.” Nevertheless, since he had found evidence of models, Sorge became convinced that Meier was a fraud. Supporters of Meier have explained that early in his contacts, Meier decided to build a model to sec if his photos of “beamships”



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