Vergil - a Biography by Frank Tenney;

Author:Frank, Tenney;
Language: eng
Format: epub
Tags: virgil, ancient, roman, history, romans, classical, classic, classics, study
ISBN: 4460814
Publisher: Andrews UK Ltd.
Published: 2012-06-20T16:00:00+00:00

IX

MATERIALISM IN THE SERVICE OF POETRY

It has been remarked that Vergil's genius was of slow growth; he was twenty-eight before he wrote any verses that his mature judgment recognized as worthy of publication. A survey of his early life reveals some of the reasons for this tardy development. Born and schooled in a province he was naturally held back by lack of those contacts which stimulate boys of the city to rapid mental growth. The first few years at Rome were in some measure wasted upon a subject for which he had neither taste nor endowment. The banal rhetorical training might indeed have made a Lucan or a Juvenal out of him had he not finally revolted so decisively. However, this work at Rome proved not to be a total loss. His choice of a national theme for an epic and his insight into the true qualities of imperial Rome owe something to the study of political questions that his preparation for a public career had necessitated. He learned something in his Roman days that not even Epicurean scorn for politics could eradicate.

However, his next decision, to devote his life to philosophy, again retarded his poetic development. Certainly it held him in leash during the years of adolescent enthusiasms when he might have become a lyric poet of the neoteric school. A Catullus or a Keats must be caught early. Indeed the very dogmas of the Epicurean school, if taken in all earnestness, were suppressive of lyrical enthusiasm. The Aetna shows perhaps the worst effects of Epicurean doctrine in its scholastic insistence that myths must now give way to facts. Its author was still too absorbed in the microscopic analysis of a petty piece of research to catch the spirit of Lucretius who had found in the visions of the scientific workshop a majesty and beauty that partook of the essence of poetry.

In the end Vergil's poetry, like that of Lucretius, owed more to Epicureanism than modern critics - too often obsessed by a misapplied odium philosophicum - have been inclined to admit. It is all too easy to compare this philosophy with other systems, past and present, and to prove its science inadequate, its implications unethical, and its attitude towards art banal. But that is not a sound historical method of approach. The student of Vergil should rather remember how great was the need of that age for some practical philosophy capable of lifting the mind out of the stupor in which a hybrid mythology had left it, and how, when Platonic idealism had been wrecked by the skeptics, and Stoicism with its hypothetical premises had repelled many students, Epicurean positivism came as a saving gospel of enlightenment.

The system, despite its inadequate first answers, employed a scientific method that gave the Romans faith in many of its results, just at a time when orthodox mythology had yielded before the first critical inspection. As a preliminary system of illumination it proved invaluable. Untrained in metaphysical processes of thought, ignorant of

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