Visualising a Sacred City by Quash Ben; Rosen Aaron; Reddaway Chloë

Author:Quash, Ben; Rosen, Aaron; Reddaway, Chloë
Language: eng
Format: epub
ISBN: 4822576
Publisher: I.B.Tauris

NOTES

1. J. Ruskin, ‘Qui Judicaris Terram’, Unto This Last (London: Dent and Sons, 1921 [1864]), pp. 63–4.

2. See T. Hilton, John Ruskin (London and New Haven: Yale University Press, 2002); S. Atwood, Ruskin's Educational Ideals (Aldershot: Ashgate, 2011); Dinah Birch (ed.), Ruskin and the Dawn of the Modern (Oxford: Oxford University Press, 1999).

3. Anonymous review, ‘Unto This Last’, Saturday Review, 10 November 1860, quoted in J.L. Bradley (ed.), John Ruskin: The Critical Heritage (London: Routledge, 1984), p. 278. The Saturday Review was notoriously hostile towards Ruskin.

4. See G. Darley, Octavia Hill: A Life (London: Constable, 1990); F. MacCarthy, William Morris (London: Faber, 1994)

5. W. Morris, ‘Preface’, The Nature of Gothic (London: Kelmscott Press, 1892). https://www.marxists.org/archive/morris/works/1892/ruskin.htm (accessed 2 February 2015).

6. See F. MacCarthy, William Morris: A Life for Our Time (London: Faber and Faber, 1994).

7. Matthew 20:13, 14. KJV.

8. Matthew 20:15, 16, KJV.

9. J. Ruskin, Unto This Last (London: Dent and Sons, 1921), p. 116.

10. Ibid.

11. See E. Blau, Ruskinian Gothic: The Architecture of Deane and Woodward (Princeton: Princeton University Press, 1982); R. Daniels and G. Brandwood (eds), Ruskin and Architecture (Reading: Spire Books, 2003).

12. See M. Wheeler, Ruskin's God (Cambridge: Cambridge University Press, 1999).

13. Genesis 28:17 KJV.

14. S.M. Promey, ‘Religion, Sensation, and Materiality’, in S. Promey (ed.), Sensational Religion: Sensory Cultures in Material Practice (New Haven and London: Yale University Press, 2014), p. 651.

15. R. Kieckhefer, Theology in Stone, 2004, p. 133.

16. N.R. Marshall, City of Gold and Mud: Painting Victorian London (New Haven and London: Yale University Press, 2012).

17. For an overview of different stylistic trends and fashions in the Gothic Revival in Britain, see Dixon and Muthesius; Michael J. Lewis.

18. Parish Magazine, St Cuthbert's, November 1893, p. 4.

19. Guide to St Cuthbert's Church (London, 1937), p. 10.

20. James Bettley, ‘Church Furnishing in Nineteenth-Century England’. http://www.vam.ac.uk/content/articles/c/church-furnishing-in-19th-century-england/ (accessed 1 December 2014).

21. Its full title is A Manual of Church Decoration and Symbolism, containing directions and advice to those who desire worthily to deck the church at the various seasons of the year: also, the explanation and the history of the symbols and emblems of religion (London: Mowbray, 1899).

22. Geldart, A Manual, 1899, p. 1.

23. Ibid., Pl. 1.

24. Ibid., p. 18.

25. Parish Magazine, March 1896, p. 6.

26. ‘New Vestments’, Parish Magazine, St Cuthbert's, July 1896, p. 7.

27. St Cuthbert's Parish Magazine, July 1898, p. 13.

28. J. Ruskin, letter to Joan Agnew [22 January 1870? Dated by Michael Wheeler], quoted in Wheeler, Ruskin's God, p. 197.

29. J. Ruskin, ‘The Relation of Art to Religion’, quoted in Wheeler, Ruskin's God, p. 197.

30. M. Hall, ‘The Rise of Refinement: G.F. Bodley's All Saints, Cambridge and the Return to English Models in Gothic Architecture of the 1860s’, Architectural History, 36 (1993), pp. 103–26.

31. See Michael Hall's essay on Ruskin and Bodley in R. Daniels and G. Brandwood (eds), Ruskin and Architecture (Reading: Spire Books, 2003).

32. A. Lepine, ‘Watts and Company, 1874’, Britain, Representation, and Nineteenth-Century History, 2012. www.branchcollective.org (accessed 15 November 2014).

33. Historic England, http://list.historicengland.org.uk/resultsingle.aspx?uid=1244156.

34. B.F.L. Clarke, Church Builders of the Nineteenth Century (London: David and Charles Reprints), p.

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