Unstrung: Rants and Stories of a Noise Guitarist by Marc Ribot
Author:Marc Ribot [Ribot, Marc]
Language: eng
Format: epub
ISBN: 9781617759307
Google: kj72zQEACAAJ
Publisher: Akashic Books
Published: 2021-08-03T23:39:15.940519+00:00
O Say Can You See
American life is lonely.
I call you sometimes, when Iâm off the road.
We have coffee near your stop on the N train.
The trains are slower now.
Most often, I donât call.
In our fantasies, weâre the Honeymooners, or Seinfeld, or the cast of Cheers or some other sitcomâalways wandering into each otherâs private spaces unannounced.
âAmerica Mourns M*A*S*H,â the headlines read. âPsychotherapists on Call for End of TV Dynasty.â
Even Alan Alda cried a little.
* * *
We found more time when the kids were little to go to the park, or the bowling alley.
Now weâre busy. Iâm writing a million e-mails while supposedly working on my solo album. Youâre ⦠what is it that you do when youâre alone?
In M*A*S*H, everyone knew what everyone did. Thin tent walls and public mess halls left every human foible exposed to Aldaâs venomous sneer.
It was funny.
They were there to fight the Communists.
Communists had the nerve to choose such living situations âvoluntarily.â
Communism equals war minus death. No dignity. No privacy.
âThey were like a family to me,â said the weeping woman in the Daily News.
* * *
In Rome, the film score recording sessions began at ten a.m., and ended promptly at seven. A huge Rube Goldberg device attached to the projector carried the celluloid film through whatever pathways the length of the looped scene demanded, at precisely twenty-four frames a second.
The studio was grand, paneled in some kind of blond wood, big enough to accommodate an orchestra. Sometimes, channels at the edge of the board crackled with neglect, but it was no problem: there were other channels.
Sometimes Benigni stopped by to see how we were doing.
At one p.m., we did as the Romans and broke two hours for a three-course lunch: antipasto, primo, secondi, dolce, café.
This was not what we were used to in the NYC bunkers where indie musicians score indie films by the lamp of the midnight oil amid the detritus of takeout Styrofoam and cold coffee.
âIndie means independent,â I explained to the worldly Italian producer.
âYes, I know,â he responded, lighting a cigarette. âIâve worked in America before. It reminded me of being in the military ⦠a huge army organized for production.â
It was a memorable meal, but thatâs all I remember.
It happened a long time ago, during the âItalian miracle.â
Before Berlusconi.
Before the euro, the crash of the euro, and the inevitable restructuring, whose austerity will no doubt become what passes for fate.
* * *
When youâve driven to the edge of America, as far north as you can go, past Augusta, past Bangor, past Houlton, past the fenced-off SAC base at Limestone and the last all-night Dunkinâ Donuts, up where âthe wind blows heavy on the borderlineâ and the long winterâs wear and tear has made your Kodachrome superfluous months ago, then youâre at the end of America, the border, the limit.
But for Canadians, itâs just the beginning.
And hereâs what every Canadianâin fact, everyone in the world whoâs not Americanâknows about America: it is the land of sex.
And thatâs why youâre here, in a
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