Scenes From a Revolution by Mark Harris

Author:Mark Harris [Mark Harris]
Language: eng
Format: epub
Tags: Romance
ISBN: 9781847674791
Publisher: Canongate Books
Published: 2008-09-14T16:00:00+00:00

NOTES CHAPTER 19

1. This chapter’s account of the production of Bonnie and Clyde comes from interviews with Warren Beatty, John C. Dutton, Morgan Fairchild, Elaine Michea, Estelle Parsons, Arthur Penn, Michael J. Pollard, Robert Solo, Dean Tavoularis, Robert Towne, and Theadora Van Runkle, among others.

2. Advertisement, Denton Record-Chronicle, 1966 undated, Warner Bros. Collection, USC.

3. Author interview with Parsons.

4. Towne, Robert. “A Trip with Bonnie and Clyde.” Cinema, III, no. 5.

5. AI with Towne.

6. AI with Beatty.

7. Ibid.

8. AI with Parsons.

9. AI with Dutton.

10. Beatty, to Curtis Hanson in Wake and Hayden, The Bonnie and Clyde Book, op. cit., p. 180.

11. Ibid., p. 179.

12. AI with Tavoularis.

13. AI with Beatty, Dutton, Penn, and Tavoularis.

14. AI with Penn and Towne.

15. Hebron, Sandra. “Curtis Hanson (part 2).” Guardian, November 16, 2002.

16. AI with Penn.

17. Dunaway, Looking for Gatsby, op. cit., p. 58.

18. AI with Van Runkle.

19. AI with Dutton and Michea.

20. “Faye Dunaway: Frank Words from a Cult Goddess,” Interview, November 2002.

21. Dunaway, Looking for Gatsby, op. cit., pp. 131–133.

22. AI with Parsons.

23. Dunaway, Looking for Gatsby, op. cit., pp. 118–119.

24. Finstad, Warren Beatty: A Private Man, op. cit., p. 372.

25. AI with Penn.

26. AI with Tavoularis.

27. AI with Dutton.

28. Goldstein, “Blasts From the Past,” Los Angeles Times, op. cit.

29. AI with Beatty.

30. AI with Towne.

31. “In the Cards.” Time, September 30, 1966.

32. AI with Michea, Parsons, and Van Runkle.

33. AI with Pollard.

34. AI with Parsons.

35. AI with Fairchild.

36. AI with Dutton.

37. Beatty to Curtis Hanson, The Bonnie and Clyde Book, op. cit., p. 178.

38. AI with Towne.

39. Labarthe, Andre and Jean-Louis Comolli. “The Arthur Penn Interview.” Cahiers du Cinéma, December 1967.

40. AI with Beatty.

41. AI with Tavoularis.

42. Ibid.

43. AI with Beatty.

44. AI with Parsons.

45. Benton and Newman’s screenplay for Bonnie and Clyde is reprinted in its entirety in both The Bonnie and Clyde Book (op. cit.) and Best American Screenplays: First Series, edited by Sam Thomas (New York: Crown, 1986).

46. AI with Penn.

47. Ibid.

48. Gilman, Richard. “Gangsters on the Road to Nowhere.” The New Republic, November 4, 1967.

49. Goldstein, “Blasts from the Past,” Los Angeles Times, op. cit.

50. “The Arthur Penn Interview,” Cahiers du Cinéma, op. cit.

51. Crowdus, “The Importance of a Singular, Guiding Vision,” Cineaste, op. cit.

52. Letter from Floria Lasky to “HWF,” October 12, 1966, Warner Bros. Collection, USC.

53. AI with Pollard.

54. AI with Tavoularis.

55. AI with Dutton. Daily production and progress reports from Bonnie and Clyde show that the production had fallen fourteen days behind schedule by December 10, the last day of the shoot in Texas; Warner Bros. Collection, USC.

56. Letter from Walter MacEwen to Warren Beatty, November 2, 1966, Warner Bros. Collection, USC.

57. Telegram from Jack Warner to Arthur Penn, October 12, 1966, Warner Bros. Collection, USC.

58. AI with Solo.

59. AI with Penn.

60. Thompson, “Under the Gaze of the Charmer,” Life, op. cit.

61. AI with Penn.

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