Art after Empire: From Colonialism to Globalisation by Warren Carter

Author:Warren Carter
Language: eng
Format: epub
Publisher: Manchester University Press

Plate 2.29 Symeon Shimin, Contemporary Justice and the Child, 1940, tempera mural, 361 x 224 cm. Great Hall, Department of Justice, Washington, DC. Photo: From the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.

Plate 2.30 Chico Emery, Sandinista Woman and Child, c.1985, mural. Metrocenter near Managua.

Plate 2.31 Unknown artist, Tribute to Allende, 1973, mural. Chicano Park, San Diego. Photo: Alfred S. Quezada.

Notes

1 See, for example, Benjamin, 1999, pp. 3–26.

2 Indych-López, 2009, p. 98.

3 Hart, 1989, p. 105.

4 Greeley, 2016, p. 266.

5 Oles, 2012, p. 57.

6 Wolfe, 1924, p. 207.

7 Hart, 1989, p. 348.

8 Hart, 1989, p. 18.

9 Hart, 1989, pp. 283, 290, 294, 299, 311 and 345–6.

10 Catlin, 1986, p. 261.

11 Craven, 2002, p. 55.

12 Folgarait, 1998, p. 114.

13 Rochfort, 1987, p. 60.

14 Hart, 1989, pp. 159 and 243.

15 Hart, 1989, pp. 320 and 344–5.

16 Catlin, 1986, p. 262; Craven, 2002, p. 56; Folgarait, 1998, p. 99.

17 For such an interpretation, see Coffey, 2012, as well as Folgarait, 1998.

18 Smith, 1993, p. 208.

19 See Favela, 1984.

20 Rivera quoted in Rochfort, 1987, p. 17.

21 Coffey, 2016, p. 349.

22 Baddeley and Fraser, 1992, p. 82.

23 See Rothenstein, 1989.

24 Folgarait, 1998, p. 60.

25 Siqueiros, 1975 [1922], p. 25.

26 Helm, 1953, p. 31.

27 Siqueiros, 1975 [1922], p. 24.

28 Folgarait, 1998, p. 66.

29 Münzberg and Nungesser, 1980, p. 31.

30 Orozco, 1980 [1947], p. 116.

31 See Kriebel, 2014.

32 Hurlburt, 1989, p. 234.

33 Jolly, 2008, p. 140.

34 Ramirez, 1997, pp. 68–95.

35 Breton, Rivera and Trotsky, 2003 [1938].

36 Mulvey and Wollen, 1982, p. 12.

37 Rivera quoted in Dickerman and Indych-López, 2011, p. 31.

38 Smith, 1993, pp. 205–9.

39 Indych-López, 2016, p. 343.

40 Lee, 2005, pp. 211–12.

41 Smith, 1993, p. 54.

42 Lee, 2005, p. 210.

43 Smith, 1993, p. 204.

44 Wood, 2014, p. 211.

45 Downs, 1999, p. 85.

46 Wolfe, 1991 [1963], p. 278.

47 Smith, 1993, p. 213.

48 Hurlburt, 1989, p. 9; see also Indych-López, 2009, p. 98.

49 Baas, 2002, p. 148.

50 Smith, 1993, pp. 199–200.

51 Wollen, 2003, p. 120.

52 Wollen, 2003, pp. 123–4.

53 Mulvey and Wollen, 1982, p. 20.

54 Wollen, 2003, p. 119.

55 Mulvey and Wollen, 1982, p. 10.

56 Smith, 1993, p. 277.

57 Hemingway, 2002, pp. 75–100, 147–88.

58 Craven, 2002, pp. 117–75.

59 Cockcroft, Weber and Cockcroft, 1977.

60 Coffey, 2012, p. 14.

Bibliography

Baas, J. (2002) ‘The Epic of American Civilization: the mural at Dartmouth College (1932–34)’, in Mello, R. G. and Miliotes, D. (eds) José Clemente Orozco in the United States, 1927–1934, New York and London, W. W. Norton & Company, pp. 142–85.

Baddeley, O. and Fraser, V. (1992) Drawing the Line: Art and Cultural Identity in Contemporary Latin America, London and New York, Verso.

Benjamin, W. (1999) The Arcades Project, Cambridge, MA and London, Harvard University Press.

Breton, A., Rivera, D. and Trotsky, L. (2003 [1938]) ‘Towards a free revolutionary art’, in Harrison, C. and Wood, P. (eds) Art in Theory 1900–2000, An Anthology of Changing Ideas, Oxford, Wiley Blackwell Publishing, pp. 532–5.

Catlin, S. L. (1986) ‘Mural census’, in Helms, C. N. (ed.) Diego Rivera: A Retrospective, New York and London, W. W. Norton & Company, pp. 235–335.

Cockcroft, E., Weber, J. P. and Cockcroft, J.

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