The Cambridge Companion to Gothic Fiction by Jerrold E. Hogle
Author:Jerrold E. Hogle
Language: eng
Format: epub
Publisher: Cambridge University Press
Published: 2002-09-14T16:00:00+00:00
NOTES
1William Blackstone, Commentary on the Laws of England, 4 vols., 15th edn (London, 1809), III, 268.
2See, for example, Richard Williams, The Contested Crown: Public Discourse of the British Monarchy in the Reign of Queen Victoria (Aldershot: Ashgate, 1997), p. 11, and Elizabeth Langland, “Nation and Nationality: Queen Victoria in the Developing Narrative of Englishness” in Remaking Queen Victoria, ed. Margaret Homans and Adrienne Munich (Cambridge: Cambridge University Press, 1997), pp. 13–32.
3See G. P. R. James, Darnley; or The Field of the Cloth of Gold (Paris: Baudry’s European Library, 1836), and Arabella Stuart; a Romance from English History (New York: Harper and Bros., 1844).
4I cite the fiction of Ainsworth from The Tower of London: a Historical Romance (London: G. Routledge and Co., 1853) and Windsor Castle: a Historical Romance (London: G. Routledge and Co., 1855).
5G. W. M. Reynolds is cited from The Mysteries of London, ed. Thomas Trefor (Edinburgh: Edinburgh University Press, 1996).
6Thomas Cooper, The Purgatory of Suicides: a Prison Rhyme (London: J. Watson, 1847), book 7.
7See “Castle Elmere,” Blackwood’s Edinburgh Magazine 35: 219 (March 1834).
8Blackwood’s Edinburgh Magazine 28: 169 (August 1830): 364–71.
9See Charlotte Brontë, Shirley, ed. Andrew and Judith Hook (Harmondsworth: Penguin, 1974).
10Sally Shuttleworth, Charlotte Brontë and Victorian Psychology (Cambridge: Cambridge University Press, 1996), p. 222.
11I refer here to these editions of Dickens’s novels: Bleak House, ed. Stephen Gill (Oxford: Oxford University Press, 1996); Great Expectations, ed. Margaret Cardwell (Oxford: Clarendon, 1993); The Mystery of Edwin Drood, ed. Cardwell (Oxford: Clarendon, 1972); The Old Curiosity Shop, ed. Elizabeth Brennan (Oxford: Clarendon, 1966); and Oliver Twist, ed. Kathleen Mary Tillotson (Oxford: Clarendon, 1966). The edition I cite for Little Dorrit, the most fully Gothic of Dickens’s major novels, is the 1978 Clarendon edition, ed. Harvey Peter Sucksmith.
12John Ruskin, Sesames and Lilies (London: Cassell, 1907), p. 87.
13See Margaret Oliphant’s The Beleaguered City and Other Stories (Oxford: Oxford University Press, 1988).
14See Thomas Preskett, Varney the Vampire, ed. Devendra P. Varma, 3 vols. (New York: Arno Press, 1970).
15See Catherine Crowe in The Night-Side of Nature: Or, the Ghosts and the Ghost-Seers (London: Routledge, 1853).
16Edward Bulwer-Lytton’s story appears in his A Strange Story and The Haunted and the Haunters (London: Routledge and Warne, 1864).
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