Star Journal by Christopher Buckley
Author:Christopher Buckley [Buckley, Christopher]
Language: eng
Format: epub
ISBN: 9780822982012
Publisher: University of Pittsburgh Press
Photograph of John Berryman on the Back of Love & Fame
I have no idea whether we live again.
—John Berryman
I see the man who wrote his 11 intemperate letters
to the Lord is the man half grateful near his end,
a man almost at ease and deep behind his whiskers here.
A charmer who won’t be completely run to ground,
grizzled as the granite going to pieces at his back,
he’s channeling his last cloud-split reasoning
directly at the doubtful sky, uncovering any worth
or last ditch redeeming chance, and carefully
subscribing to that. Who then knows about the soul—
chipped away with age, grey with cosmic grit,
some evanescent paste holding together beyond
our bones? I have some interest in this late line
of questioning, that desperate dodge and grab at
conviction while balancing on one foot, the sinking
weight of everything you likely know on the other.
I have a friend who revered and loved the man, as,
I imagine, God intended us to respect that knot
of light burning in the rare and fervent few among us.
33 years ago, Berryman posed, nonchalant
before the lens in Ireland—Latinate, distilled,
high lonesome and jazzy riffs mixed with reflex
and a syntactic ear for idiosyncrasy, inward
somnambulism—a sober self-estimate that held him
steady amid the wobbling flames, dreaming
in the distracted atmosphere with love and fame
trailing a ways off from where he later waved
then stepped away, dawdling toward the glory
of the dust. For a man who could not much love
himself he came generous with his love and trust
at last in God. O, time wears us away to little
more than salt or sea air—here or elsewhere, but how
to know which metaphysical hammerlock’s going
to pin us down the years and force capitulation?
Yet, he’s still credible, walking the edge, a famous
sparkle of doubt in the eyes, teetering in the blind
up-drafts of belief—both sides of the street in play,
sand beneath the soft soles of his feet. He expects
to fall and will blame, ex post facto and no doubt
rightly, logically so, God, when he is not there,
to swoosh out of the unphysical aether to hold,
metaphorically, his hand, in His infinite one,
that ardent strophe of flesh and blood above
the common traffic of the world, where sooner or
later all our blood and bony minds fall to wreck
one afternoon. One day to the next, I find myself
as reasonably sure as Berryman about the afterlife,
and I would, at 50-something, line up behind him,
my right hand raised into the air in hope of one.
But my heart’s not finally in it; it’s still half bitter
like a root vegetable they always said was good
for you, and so will not likely lift me, heavy out
of this world, as his must have—singing, praising
purely the fog-thick invisible source, the blind-
spot in creation sustained by desperate lines,
and he dead-grateful for his gift, disavowing
eloquence alone. Yet somehow he firmly clutched
in one mildly shaking hand a glass half-full of Faith.
For any proof, I have only, as I said, the friend who
knew him, this photo, his clipped and thorny song—
the conflicted pledges of an absent minded God. . . .
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