Obra entera. Poesía y prosa (1958-1995) by Rafael Cadenas

Author:Rafael Cadenas [Cadenas, Rafael]
Language: spa
Format: epub
Tags: LCO007000, LITERARY COLLECTIONS, Caribbean & Latin American
ISBN: 9786071607072
Publisher: Fondo de Cultura Económica
Published: 2012-07-17T05:00:00+00:00

Bibliografía

Abrams, M. H. et al., The Norton Anthology of English Literature, W. W. Norton & Company, Inc., Nueva York, 1962.

Angelloz, J. F., Rilke, Sur, Buenos Aires, 1955.

Archera, Laura, This Timeless Moment, Ballantine Books, Nueva York, 1971.

Blyth, R. H, Zen in English Literature and Oriental Classics, E. P. Dutton & Co., Inc., Nueva York, 1960.

Bollnow, Otto F., Rilke, Taurus, Madrid, 1963.

Houghton, Lord, Life and Letters of John Keats, Oxford University Press, Londres, Nueva York, Toronto, 1951.

Huxley, Aldous, Island, Penguin Books, 1966.

Keats, John, Selected Poems, Collins, Londres y Glasgow, 1964.

Krishnamurti, J., La liberación del pasado, Ediciones Krishnamurti, Río Piedras-Puerto Rico, 1970.

———, El despertar de la sensibilidad o el arte de ver, Ediciones Krishnamurti, Río Piedras-Puerto Rico, 1967.

Olasagasti, Manuel, Introducción a Heidegger, Ediciones de la Revista de Occidente, Madrid, 1967.

Read, Herbert, The Nature of Literature, Grove Press, Inc., Nueva York.

Rilke, R. M., Obras de Rainer María Rilke, Plaza & Janés Editores, Barcelona-Buenos Aires-México-Bogotá, 1967.

Sontag, Susan, Styles of Radical Will, Secker & Warburg, Londres, 1969.

Suzuki, D. T., y Erich Fromm, Budismo zen y psicoanálisis, Fondo de Cultura Económica, México-Buenos Aires, 1964.

Tiry, Gérard, Approche de l’événement, Editions “Être Libre”, Bruselas, 1969.

Trilling, Lionel, Imágenes del yo romántico, Sur, Buenos Aires, 1956.

Untermeyer, Louis, A Concise Treasury of Great Poems, Pernambooks, Nueva York, 1961.

Walsh, William, The Use of Imagination, Penguin Books, 1966.

Watts, Alan, The Two Hands of God, George Braziller, Nueva York, 1963.

———, The Joyous Cosmology, Pantheon Books, Nueva York, 1962.

Wilson, Colin, El disconforme, Emece Editores, Buenos Aires, 1957.

475

Wordsworth, William, Selected Poetry, The Modern Library, Nueva York, 1950.

476

Notas

[1] “As to the poetical character itself (I mean that sort, of which, if I am anything. I am a member: that sort distinguished from the Wordsworthian, or egotistical sublime: which is a thing per se, and stands alone), it is not itself – it has no self – it is every thing and nothing – it has no character – it enjoys light and shade – it lives in gusts, be it foul or fair, high or low, rich or poor, mean or elevated —it has as much delight in conceiving an Iago as an Imogen—. What shock the virtuous philosopher delights the camaleon poet. It does no harm from its relish of the dark side of things, any more than from its taste for the bright one, because they both end in speculation. A poet is the most unpoetical of anything in existence, because he has no identity: he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute: the poet has none, no identity. He is certainly the most unpoetical of all God’s creatures. If, then, he has no self, and if I am a poet, where is the wonder that I should say I would write no more? Might I not at that very instant have been cogitating on the characters of Saturn and Ops? It is a wretched thing to confess, but it

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