History of Madeley by John Randall

Author:John Randall [Randall, John]
Language: eng
Format: epub
Tags: Nonfiction, Reference & Language, Reference, Fiction & Literature, Classics
ISBN: 4066338079244
Google: JjXizQEACAAJ
Publisher: Good Press
Published: 2021-11-05T04:00:00+00:00

The author of these verses, Mr. Dyas, was a very clever carver on stone and on wood. He engraved the blocks for a work printed by Mr. Edmonds at Madeley, entitled “Alexander’s Expedition down the Hydaspes and the Indus to the Indian Ocean.” He was the author too of an invention world-wide in its benefits, that of the printers’ roller; an invention second only to the art of printing itself, and infinitely superior to thousands of others out of which vast fortunes have been made.

In 1804 the company consisted of Cuthbert Johnson, William Clarke, John Wootton, and John Rose. In 1811 it was John Rose, William Clarke and Charles Maddison. In 1820 they bought the famous Swansea works and entered into an agreement with Messrs. Billingsley and Walker to make a superior kind of porcelain made by them, first at Nantgarw in Glamorganshire, and afterwards at the Cambrian Pottery, Swansea, in the same county. This was a pure soft paste porcelain, superior to any at present produced in the kingdom, and second only to the famous pate tendre of Sevres at the very best period of its manufacture. This china was first made in 1813 by Billingsley, who went from Derby to Worcester, and from there to South Wales. He was an artist, and understood the manufacture in all its branches. He produced a fret body, by mixing the materials, firing them in order to blend them together, then reducing the vitrified substance into clay—a process which was carried on at Old Sevres during the reign of Louis XV.—and thereby produced an article fine in texture, beautifully transparent, and of a delicate waxy hue, very superior to the dingy blue tinge given to much of the best china of that day. Connoisseurs were at once attracted by it, and Mr. Mortlock went down and entered into an engagement to purchase all that Billingsley and his son-in-law could make. Mr. John Rose finding he had lost a customer, whilst orders he was wont to receive were going to South Wales, went over, bought the plant, moulds, and everything, and entered into an agreement with Walker and Billingsley for a period of seven years to make the same quality of china at Coalport. The process however was an expensive one, from the difficulty of working the clay, which wanted plasticity, and also from the loss in the burning, as being a soft body it was apt to melt or warp, and to go out of shape, if it had a little too much fire in the biscuit kiln. About that time, too, Mr. Ryan discovered a very pure felspar in the Middleton, one of the Briedden hills, the true Kaolin, to which the Chinese were indebted for the quality of their egg-shell and other first class china. The fret body was therefore abandoned, the pate tendre for a pate dure, as the French say, and by adding pure felspar to the Cornish stone and clay which contains a large percentage, a good transparent body was obtained at a less cost than by using a fret body.

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