Daemon Voices: Essays on Storytelling by Philip Pullman

Daemon Voices: Essays on Storytelling by Philip Pullman

Author:Philip Pullman [Pullman, Philip]
Language: eng
Format: epub
Tags: Literary Collections, Essays
ISBN: 9781910989555
Google: dsg7DwAAQBAJ
Publisher: David Fickling Books
Published: 2017-10-30T00:00:00+00:00


This capacity of the narrator to move from here to there with the speed of thought, to see a whole panorama in one glance and then to fly down like a dragonfly and land with utter precision on the most important detail, to look ahead in time as well as to look behind, is one of the most extraordinary things we human beings have ever invented. We take it for granted, and I think we should applaud it a little more. I don’t know if it makes anyone else rub their eyes in wonder, but it certainly makes me do so; and every time I read a book where the author is so miraculously in control of this ghostly being, the narrator, this voice so like a human’s but so uncanny in its knowledge and so swift and sprite-like in its movement, I feel a delight in possibility and mystery and make-believe.

(A little side-note: a moment ago I referred to ‘the so-called omniscient’ narration, or narrator. We often hear it referred to as omniscient, but that isn’t a very accurate name for it, because to demonstrate the narrator’s omniscience we would need a text that did literally speak about everything, and that would take longer than the universe has been in existence. We haven’t got time for that. The narrator clearly knows many things, though, and should really be called multiscient – a perfectly respectable word. I was curious to see whether my favourite dictionary had taken note of this, so I opened it: Chambers’ revised edition of 1959, now much battered and mended, a handy size, and full of those little explosions of mischief among the definitions that delight all Chambers devotees. And there it was, in the form of ‘multiscience: knowledge of many things’. Wondering if the word was still current, I opened my latest Chambers, the 10th edition of 2006, the approximate dimensions of a microwave oven, and found that it had gone. On the way to it, though, I found this definition of mullet, which I recommend to you: ‘a hairstyle that is short at the front, long at the back, and ridiculous all round’.)

I want to look briefly at two other forms of narration, both familiar in different settings.

One is the first-person way of telling a story:

Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o’clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.



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