Black Folklorists in Pursuit of Equality by Ronald LaMarr Sharps

Author:Ronald LaMarr Sharps
Language: eng
Format: epub
Publisher: Lexington Books
Published: 2023-06-05T00:00:00+00:00

NOTES

1. E. Pearl Edwards, “Dr. Moton’s Talk,” Hampton Student, July 15, 1918, 9.

2. Thomas E. Davis, “Close Ranks,” Hampton Student, May 15, 1916, 1.

3. W. E. B. Du Bois, “Opinion: Close Ranks,” Crisis 16 (July 1918): 111.

4. Robert Russa Moton, Finding a Way Out: An Autobiography (Garden City, NY: Doubleday, Page, 1921), 253; W. E. B. Du Bois, “Opinion: Robert R. Moton,” Crisis 18 (May 1919): 9–10.

5. John Hope Franklin and Alfred A. Moss, Jr., From Slavery to Freedom: A History of African Americans (Boston: McGraw Hill, 2000), 360.

6. Moton, Finding a Way Out, 25–53.

7. Grace Bigelow House, “Origin of the Hymn of Freedom,” SW 47 (October 1918): 475–78.

8. Editorial Correspondence, “The Negro Kingdom by the Sea, Port Royal and Other Sea Islands,” SW (March 1887): 25–26; “On the Sea Islands,” SW (July 1900): 388–89; George Brown Tindall, South Carolina Negroes, 1877–1900 (Columbia: University of South Carolina Press, 1952), 6–7, 102–3, 218–23; Idus A. Newby, Black Carolinians: A History of Blacks in South Carolina from 1895 to 1968 (Columbia: University of South Carolina Press, 1973), 102–7; Alrutheus Ambush Taylor, The Negro in South Carolina During Reconstruction (New York: AMS Press, 1924, 1971), 82–85. For a history of the school, see J. E. Davis, “A Unique People’s School,” SW 43 (April 1914): 217–30.

9. J. E. Blanton, “I Sho Ben Lub Dat Buckra,” SW 37 (April 1908): 242.

10. Cora M. Folsom, review of Negro Folk-Songs: Hampton Series, Book II, by Natalie Curtis Burlin, SW 47 (October 1918): 475–77; Gary Alan Fine and Patricia A. Turner, Whispers on the Color Line: Rumor and Race in America (Berkeley: University of California Press, 2001); Natalie Curtis Burlin, “Hymn of Freedom,” SW 47 (October 1918): 475–77; For background see Michelle Wick Patterson, Natalie Curtis Berlin: A Life in Native and African American Music (Lincoln: University of Nebraska Press, 2010).

11. Spread from England to the United States in the 1850s, the Young Men’s Christian Association, which saw its mission as building character, started organizing “Colored” Ys in America in 1898. See David I. Macleod, Building Character in the American Boy: The Boy Scouts, YMCA, and Their Forerunners, 1870–1920 (Madison: University of Wisconsin Press, 1983), 214. See also Kelly Miller, “The Negro Young Men’s Christian Association, SW 33 (February 1904): 93.

12. J. E. Blanton, “Men in the Making,” SW 48 (January 1919): 17–24; and J. E. Blanton, Columbia, SC, to William Anthony Aery (1883–1963), Hampton Institute, Hampton, VA, letter, September 9, 1918, Hampton University Archives, Hampton, VA.

13. W. Kirkpatrick Brice, Chair, National Committee on Army and Navy Camp Music, Music in the Camps, November 3, 1917, 1–2, 5; Kenneth N. Westerman, “The Folk Song and the Opera,” Music in the Camps, March 18, 1919, 1–2; Howard Wade Kimsey, “San Antonio, TX,” Music in the Camps, July 13, 1918, 4; Herbert W. Owen, “Key West Training Station, Miami, FL,” Music in the Camps, November 23, 1918, 3; “Plans for Military Singing,” Music in the Camps, February 22, 1919, 1; Ernest A. Ebel, “Bensonhurst Naval Station, Brooklyn, NY,” Music in

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