Between the Lines by Jonathan Williams

Author:Jonathan Williams [Jonathan Williams]
Language: eng
Format: epub
ISBN: 9781843513384
Publisher: The Lilliput Press
Published: 2012-12-15T00:00:00+00:00

Acknowledgments

Those whose names lead all the rest are the poets.

The publishers, poets and translators of work still in copyright have kindly granted permission for it to be reprinted here:

Raphael Alberti, for ‘Nana’; Benny Andersen, for ‘Fotografierne’; Elizabeth Barrett, for Edna St Vincent Millay’s ‘First Fig’; The Blackstaff Press, for Padraic Fiacc’s ‘Vengeance’ and John Hewitt’s ‘The Distances’; Bloodaxe Books, for Brendan Kennelly’s ‘Proof ; Joan Brossa, for ‘Història’; John Calder (Publishers), for Samuel Beckett’s ‘Roundelay’; Jonathan Cape Ltd and the Estate of Robert Frost, for ‘Fire and Ice’; Carcanet Press, for Eavan Boland’s ‘The Emigrant Irish’, Iain Crichton Smith’s ‘Na hEilthirich’ with its translation and William Carlos Williams’s ‘Flowers by the Sea’; Chatto and Windus, for Elizabeth Bishop’s ‘In the Middle of the Road’; R. Dardis Clarke, 21 Pleasants Street, Dublin 8, for Austin Clarke’s ‘Secrecy’; Elena Clementelli, for ‘Di te non scriverò’; An Clóchomhar, for Máirtín Ó Direain’s ‘Ar Aíocht Dom’ and for Seán Ó Tuama’s ‘Rousseau na Gaeltachta’ and ‘A Gaeltacht Rousseau’; M.J. Cohen, for J.M. Cohen’s ‘The Cocks’; Cló Iar-Chonnachta, for Cathal Ó Searcaigh’s ‘Seásúir’; The Dedalus Press, for Rory Brennan’s ‘The Oil Lamp’, Denis Devlin’s ‘Boy Bathing’ and Dennis O’Driscoll’s ‘3 A.M.’; J.M. Dent, for Dylan Thomas’s ‘Once it was the colour of saying’ and R.S. Thomas’s ‘The Bright Field’; Faber and Faber, for W.H. Auden’s ‘Gare du Midi’, T.S. Eliot’s ‘Prelude I’, Thom Gunn’s ‘The Bed’, Randall Jarrell’s ‘A Lullaby’, Philip Larkin’s ‘Talking in Bed’, Louis MacNeice’s ‘Corner Seat’, Marianne Moore’s ‘I May, I Might, I Must’, Paul Muldoon’s ‘The Boundary Commission’, Tom Paulin’s ‘Pot Burial’, Theodore Roethke’s ‘Dolor’, Wallace Stevens’s ‘Anecdote of the Jar’, Derek Walcott’s ‘To Norline’ and Richard Wilbur’s ‘Piazza di Spagna, Early Morning’; Brian Fallon, for Padraic Fallon’s ‘Body’; Peter Fallon, for Patrick Kavanagh’s ‘October’; Ian Hamilton Finlay, for ‘au pair girl’; Forest Books, for Gabriel Rosenstock’s ‘Cléithin’ and ‘Splint’; The Gallery Press, for Brendan Behan’s ‘Uaigneas’ and its translation, Ciaran Carson’s ‘Two Winos’, Gerald Dawe’s ‘To My Inhaler’, Seamus Deane’s ‘Scholar’, Seán Dunne’s ‘Throwing the Beads’, Michael Hartnett’s ‘Fís Dheireanach Eoghain Rua Uí Shuilleabháin’ and its translation, Dermot Healy’s ‘The Five Senses’, Aidan Mathew’s ‘The Death of Irish’, Medbh McGuckian’s ‘My Mother’, Paula Meehan’s ‘Mrs Sweeney’, Eiléan Ní Chuilleanáin’s ‘Pygmalion’s Image’, Liam Ó Muirthile’s ‘Sa Chaife’, Frank Ormsby’s ‘Under the Stairs’ and Peter Sirr’s ‘Their Laughter’; Farrar, Straus & Giroux, for Louise Bogan’s ‘Last Hill in a Vista’; Oliver D. Gogarty, SC, for Oliver St John Gogarty’s ‘Liffey Bridge’; HarperCollins, for e.e. cummings’s ‘Buffalo Bill’s’; Seamus Heaney, for ‘Dublin 4’; Mrs Iremonger, for Valentin Iremonger’s ‘Frozen’; Thomas Kinsella, for ‘A bird is calling from the willow’ and ‘There are established personal places’; Alfred A. Knopf Inc., for Anthony Hecht’s ‘Retreat’; Anise Koltz, for ‘Les oiseaux continuent à chanter’; Mrs Gweno Lewis, for Alun Lewis’s ‘Post-script: for Gweno’; James MacGibbon, for Stevie Smith’s ‘Not Waving But Drowning’; Hugh Maxton, for ‘Thought of Dedalus’; Thomas McCarthy, for ‘Seasons’; Máire Mhac an tSaoi, for ‘Cré na Mná Tí’ and ‘The Housewife’s Credo’; John

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