Alan Kingstone by The Barry Harris Harmonic Method for Guitar

Author:The Barry Harris Harmonic Method for Guitar
Format: epub

Barry likes to use the minor with the sixth in the bass to a dominant on the seventh degree instead of a ‘Sharp four minor seventh’ that is found so often. Use this move any time you see root movement of a major chord to a minor seventh or minor seventh flat five chord a tritone away. There is only one note difference between the F6 and the Dm6/B. Barry demonstrated the last half of Giant Steps using this movement. CD trk 30 Major Minor 6th in Bass 38

2.8 PLAYING WITH YOUR ‘SISTERS & BROTHERS’ To review, ‘Sisters & Brothers’ are related notes and chords minor thirds apart. On a dominant chord remember you can play a Minor Sixth Diminished scale on the 5th or the b2nd. If a fakebook says: |Am7 | D7 [amaz “ii, | We could play: 306 | ce? | Am6* | D6/G6 | Or: | cee | Ebmee | D6/G6 | What follows are examples of C6? to Ebm6? starting on each inversion of the C6 chord. Included are: a. Two note groups (thirds and fifths) b. Three note partial chords. c. Full four note drop 2 chords. Here are two rhythms to practice these examples with. C6 Diminished [Ebm6 Diminished | G6 For charts of partial chords used here, see appendix. 39

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