The Sound of Ontology: Music as a Model for Metaphysics by LaFave Kenneth

Author:LaFave, Kenneth [LaFave, Kenneth]
Language: eng
Format: azw3
Tags: undefined
Publisher: Lexington Books
Published: 2017-11-15T05:00:00+00:00

Schopenhauer then describes the ways in which philosophers from Plato and Aristotle through the Scholastics had maintained this meaning of phenomena and noumena as contrasting sensory input with thought, as exampled, for instance, in the debate between the phenomena-leaning realists and the noumena-leaning nominalists.

But Kant now, in an unwarrantable manner, entirely neglects the thing for the expression of which those words φαινομενα and νοουμενα had already been taken, (and) takes possession of the words, as if they were still unclaimed, in order to denote by them his things-in-themselves and his phenomena.[8]

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