A Companion to Public Art by Cher Krause Knight & Harriet F. Senie

Author:Cher Krause Knight & Harriet F. Senie
Language: eng
Format: epub
ISBN: 9781118475348
Publisher: Wiley
Published: 2016-08-26T00:00:00+00:00

References

Knight, Cher Krause and Harriet F. Senie. 2012. “Editors’ Statement: Audience Response.” Public Art Dialogue 2.1 (March): 1–2.

Lacy, Suzanne. 1994. Mapping the Terrain: New Genre Public Art. Seattle, WA: Bay Press.

Suggested Further Reading

Ashford, Doug, Wendy Ewald, Nina Felshin, and Patricia C. Phillips. 2006. “A Conversation on Social Collaboration.” Art Journal 65.2 (Summer): 59–82.

Bach, Penny Balkin, ed. 2001. New‐Land‐Marks: Public Art, Community, and the Meaning of Place. Washington, D.C.: Editions Ariel; Philadelphia: Fairmount Park Art Association.

Beardsley, John. 1981. “Personal Sensibilities in Public Art.” Artforum 19.10 (June/Summer): 43–45.

Dewey, John. 1988. [1927]. The Public and Its Problems. Athens, OH: Swallow Press.

Doss, Erika. 1995. Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities. Washington, D.C.: Smithsonian Institution Press.

Elsen, Albert. 1989. “Public Rights and Critics’ Failures.” Art News 88.2 (February): 174.

Gude, Olivia. 1989. “An Aesthetics of Collaboration.” Art Journal 48.4 (Winter): 321–323.

Jacob, Mary Jane. 1995. “Outside the Loop.” In Culture in Action, by Mary Jane Jacob, Michael Brenson, and Eva. M. Olson. Seattle, WA: Bay Press. 50–61.

Raven, Arlene, ed. 1993 [1989]. Art in the Public Interest. New York: Da Capo Press. 1993.

Thompson, Nato and Gregory Sholette, eds. 2004. The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. Cambridge, MA: MIT Press.

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