Always Different by Gyula Jenei
Author:Gyula Jenei [Gyula, Jenei]
Language: eng
Format: epub
Publisher: Deep Vellum Publishing
Bread
through the pits i would head homeward from the bakerâs, where
there is always a good smell and so many people that sometimes
i would stand in the courtyard and the line would spill out to the street.
the baker is tall, thin, bald, mustached, and bespectacled, but i
would rarely see him, since his wife would be the one serving,
the smiling plump woman, who would cut the huge breads with
a huge knife. she would affably swing the round-edged
bread slicer, and her mouth wouldnât stop for a second, she
would chat with the local men and women, whose waists
would be all i could see in line, or their backs, the worn-out rags
they would wear when pouring hogwash onto the pigs
one morning at the turn of the sixties and seventies. at that time
the news would tell of the vietnam war, and i would
dread the thought of the americans dropping an atom bomb
on our necks, and of what would happen then; if my parents
started speaking of politics, someone would always cut in:
keep it down! or else: not in front of the child! it would be
eternally hot at the bakery, especially in summer. but in winter
i would also sweat in my coat while standing in line, and
the lady would slip the still-steaming, three-kilo loaf into
my mesh bag. i would go home through the pitsâthe adobe
was taken from there to the houses in the new part of town
fifty years earlier. i would head homeward between the scrubby
poplars, which would later grow up with me. in rainy weather
going through the pits would not be allowed, on account of
the mud. i must avoid them as i head for the pavement,
but nonetheless i take a shortcut sometimes, and then
at home they scold me for my muddy shoes. however,
on that particular morning, when i head home with the bread,
the yellow clay mud will be frozen, it will be winter, january,
because in january we always kill, and so we will have
slaughtered pork at home, a big mess of it. i get up when it
is still dark, the scorching pork hums in the dawn, and the boiling
water, which we pour onto the pig, soaks up the frozen earth, and
there will be mud in the yard, slightly bloody mud. later i
head home through the pits, the young, hoarfrosting poplars
dissolve farther away in the thin fog under the fog-gray
sky. i pick at the breadâs shiny, brown, fragmented shell
more and more impatiently, more and more hungrily,
and by the time i get it home, i have eaten a chunk of it.
they scold me for this, but not a lotâmy mother also
loves the warm crispy edge. maybe she talks about the breadâs
holiness as well, but she doesnât draw a cross on it before
breaking it. i think only my maternal grandmother
used to draw one, but i rarely see her, and when i grow up,
i will no longer remember whether she did this routinely
or just showed me once how they used to do it long ago.
it is mainly the limping singing teacher who talks about
the holiness of bread, she who always compares
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