De Africa Romaque by Niccolo Mugnai Julia Nikolaus Nicholas Ray

De Africa Romaque by Niccolo Mugnai Julia Nikolaus Nicholas Ray

Author:Niccolo Mugnai, Julia Nikolaus, Nicholas Ray [Niccolo Mugnai, Julia Nikolaus, Nicholas Ray]
Language: eng
Format: epub
Tags: Nonfiction, Art & Architecture, Art History, African, General Art, History, Africa
ISBN: 9781900971348
Publisher: Society for Libyan Studies
Published: 2016-12-01T05:00:00+00:00


Footnotes

1 See especially Beard 2007; Hölscher 2006; Itgenhorst 2005, for important reappraisals.

2 On the lingering impact of the triple triumph in particular, see Gurval 1998.

3 Desanges 1980, 394-395; see also Desanges 1978, 189-195 for the context.

4 Degrassi 1954.

5 Pliny, Historia Naturalis, V.36-37: ‘et hoc mirum, supra dicta oppida ab eo capta auctores nostros prodidisse, ipsum in triumpho praeter Cydamum et Garamam omnium aliarum gentium urbiumque nomina ac simulacra duxisse, quae iere hoc ordine: Tabudium oppidum, Niteris natio, Milgis Gemella oppidum, Bubeium natio vel oppidum, Enipi natio, Thuben oppidum, mons nomine Niger, Nitibrum <natio>, Rapsa oppidum, Viscera natio, Decri oppidum, flumen Nathabur, Thapsagum oppidum, Tamiagi natio, Boin oppidum, flumen Dasibari; mox oppida continua Baracum, Bulba, Halasit, Galsa, Balla, Maxalla, Cizania; mons Gyri in quo gemmas nasci titulus praecessit’ [tr. Rackham (with modifications)].

6 Herodotus, Historiae, IV.183-184; Mattingly 2007; 2010; 2013.

7 Desanges 1980, 404-407.

8 Desanges 1980, 406-407; cf. Mattingly 2000, 549.

9 Desanges 1980, 403, 409-410; Mattingly 2000, 548.

10 Mattingly 2000, 549; cf. Desanges 1980, 407. On other interpretations, cf. Camps 1995, 2233-2234.

11 Desanges 1980, 400-410.

12 Mattingly 1995, 18, 70.

13 Mattingly 1995, 18.

14 Mattingly 1995, 35.

15 Murphy 2004, 160.

16 Östenberg 2009, 2. Cf. Holliday 2002, 29-30.

17 Cf. Pliny, Historia Naturalis, XXXIII.54; Ovid, Consolatio ad Liviam, 456-464 and the examples below.

18 Ovid, Tristia IV.2.19-20: ‘ergo omnis populus poterit spectare triumphos, / cumque ducum titulis oppida capta leget’ [tr. Wheeler].

19 Propertius, Elegiae, III.4.15-18: ‘tela fugacis equi et bracati militis arcus / ad vulgi plausus saepe resistere equos, / inque sinu carae nixus spectare puellae / incipiam et titulis oppida capta legam!’ [tr. Lee].

20 Beard 2007 discusses the changing emphases of scholarship on the triumph.

21 Josephus, Bellum Judaicum, VII.123-157; on which see Beard 2003.

22 Plutarch, Pompeius, 45.2 [tr. Perrin].

23 Livy, Historiae, XXXVII.59.3-5.

24 This point is developed more fully in Merrills 2017, 78-86.

25 Desanges 1980, 398.

26 My thinking on this point has been particularly influenced by Veyne 2005, 379-418 (on the friezes of Trajan’s column).

27 On Pliny’s self-presentation as an omnivorous collector, see especially Henderson 2011.

28 Pliny, Historia Naturalis, V.51: ‘Nilus incertis ortus fontibus, ut per deserta et ardentia et inmenso longitudinis spatio ambulans famaque tantum inermi quaesitus sine bellis quae ceteras omnis terras invenere’ [tr. Rackham].

29 Pliny, Historia Naturalis, VI.40 (Caucasus maps); VI.184-185 (Ethiopian expedition).

30 On which see Merrills (2017), 206-215.

31 Pliny, Historia Naturalis, V.12: ‘Sed id plerumque fallacissumum experimento deprehenditur, quia dignitates, cum indagare vera pigeat, haut alio fidei proniore lapsu quam ubi falsae rei gravis auctor existit’ [tr. Rackham].

32 Jacob 2006 is fundamental here.

33 Cook 2006 on the example of the East India Company. On this process of archival authentication more broadly, see especially Driver 2001.

34 Nicolet 1988; 1991. On Nicolet’s scholarship, and some of the issues arising from it, see now Merrills 2017, 6-15.

35 The bibliography here is enormous (and ever expanding). Cf. the recent collections edited by Talbert 2012; Talbert and Unger 2007. Rathmann 2013 provides a helpful overview of this scholarship. Janni 1984 and Brodersen 1995 are fundamental. For an interesting recent appraisal of different modes of spatial understanding in the Empire, see Salway 2012.



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