State and Culture in Postcolonial Africa by TEJUMOLA OLANIYAN

State and Culture in Postcolonial Africa by TEJUMOLA OLANIYAN

Author:TEJUMOLA OLANIYAN [OLANIYAN, TEJUMOLA]
Language: eng
Format: epub
ISBN: 9780253029980
Google: GcwZMQAACAAJ
Publisher: Indiana University Press
Published: 2017-01-15T04:27:11+00:00


Notes

1. Waïl Hassan, Tayeb Salih: Ideology and the Craft of Fiction (Syracuse, NY: Syracuse University Press, 2003), 134.

2. Ann M. Lesch, The Sudan: Contested National Identities (Bloomington: Indiana University Press, 1998), 3.

3. The phrase comes from Partha Chatterjee’s The Nation and Its Fragments: Colonial and Postcolonial Histories (Princeton, NJ: Princeton University Press, 1993), 238.

4. Constance Berkley, The Roots of Consciousness Molding the Art of Tayeb Salih: A Contemporary Sudanese Writer (PhD diss., New York University, 1979), lxxix.

5. Ibid., xxxviii.

6. Tayeb Salih, Bandarshah, trans. Denys Johnson-Davies (London: Kegan Paul, 1996), 104.

7. Ibid., 3.

8. Ibid., 29.

9. Ibid., 9.

10. Ibid., 35.

11. Antonio Gramsci, Selections from the Prison Notebooks, ed. Quintin Hoare and Geoffrey Nowell Smith (London: Lawrence and Wishart, 1971), 276.

12. Ibid.

13. Salih, Bandarshah, 10.

14. Ibid., 10–11.

15. Ibid., 11.

16. Ibid.

17. Hassan, Tayeb Salih, 151.

18. Salih, Bandarshah, 12.

19. Ibid., 31.

20. Ibid., 67.

21. Ibid., 76.

22. Ibid.

23. Long associated with rural weddings, al-buṭān has moved into the cities of Sudan, including the capital, Khartoum, according to a 2010 Reuters report: “Young Sudanese Men Lashed in Traditional Wedding Ceremony to Show Bravery,” Reuters, September 29, 2010, http://www.itnsource.com/shotlist/RTV/2010/09/29/RTV2470710/?v=1.

24. Salma K. Jayyusi, Modern Arabic Poetry: An Anthology (New York: Columbia University Press, 1987), 2.

25. Salih, Bandarshah, 20.

26. Ibid., 21.

27. Ibid., 22.

28. Ibid., 10.

29. Hassan, Tayeb Salih, 151.

30. Susan Slyomovics, The Merchant of Art: An Egyptian Hilali Oral Epic Poet in Performance (Berkeley: University of California Press, 1987), 1.

31. Quoted in Ibid.

32. Bridget Connelly, Arab Folk Epic and Identity (Berkeley: University of California Press, 1986), 220; Sayyid Hamid Hurreiz, “Afro-Arab Relations in the Sudanese Folktale,” in African Folklore, ed. Richard M. Dorson (Bloomington: Indiana University Press, 1972), 161.

33. Connelly, Arab Folk Epic, 196, 301.

34. Salih, Bandarshah, 77.

35. There are several black heroes of the sīrah genre: Peter Heath writes that “the Arabic sīra seems to have become infatuated with the idea of the black hero.” The Thirsty Sword: Sīrat ‘Antar and the Arabic Popular Epic (Salt Lake City: University of Utah Press, 1996), 272.

36. Slyomovics, Merchant of Art, 49.

37. Salih, Bandarshah, 105.

38. Ibid., 106.

39. Heather J. Sharkey, “Arab Identity and Ideology in Sudan: The Politics of Language, Ethnicity, and Race,” African Affairs 107 (January 2008): 28.

40. Ahmad A. Sikainga, Slaves into Workers: Emancipation and Labor in Colonial Sudan (Austin: University of Texas Press, 1996), xi.

41. Ibid., 5; Helmi Sharawi, “The African in Arab Culture: Dynamics of Inclusion and Exclusion,” in Imagining the Arab Other: How Arabs and Non-Arabs View Each Other, ed. Tahar L. Djedidi (London: I. B. Tauris, 2008), 106.

42. Sikainga, Slaves into Workers, 5–6; 16; 19.

43. Ibid., 5.

44. Ibid., 8.

45. Ibid.

46. Ibid., 6–7.

47. Ibid., xiii, 68.

48. Ibid., 167.

49. Lesch, Sudan, 22.

50. Sikainga, Slaves into Workers, 22.

51. Sharkey, “Arab Identity,” 21.

52. Qāṣim ‘Uthmān Nūr, Al-ta‘rīb fī al-waṭan al-‘arabī ma‘a ishārah khaṣṣah li al-sūdān (Khartoum, Sudan: Khartoum University Press, 1988), 33 (my translation).

53. Sharkey, “Arab Identity,” 25.

54. Al-Baqir al-Afif Mukhtar, “The Crisis of Identity in Northern Sudan: The Dilemma of a Black People with a White Culture,” in Race and Identity in the Nile Valley: Ancient and Modern Perspectives, ed. Carolyn Fluehr-Lobban and Kharyssa Rhodes (Trenton, NJ: Red Sea, 2004), 224.



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