ISSUE 19 by Unknown

Author:Unknown
Format: epub

The text on this page is estimated to be only 14.00% accurate 31

The text on this page is estimated to be only 17.51% accurate Hammer's fiftieth production. The Camp on Blood Island, wa.v a powerful war drama which portrayed the brutal treatment of prisoners -of war at the hands of the Japanese, Though produced in 1956 it was not released until two years later. completely when Frankenstein's cousin Elizabeth (Hazel Court) arrived. She had been betrothed to the Baron at an early age and had come to be married. Frankenstein, seeing no reason why Elizabeth’s presence should change his plans, continued without Paul's help. Seeking a brilliant mind for his creation, Frankenstein invited the renowned scientist, Professor Bernstein (Paul Hardttnuth), to his home and murdered him. making the professor's death appear accidental. Paul, hearing of Bernstein’s death, searched for Frankenstein and found him in the professor's tomb — where he had just finished removing Bernstein’s brain! Enraged, Paul attacked Frankenstein, and in their struggle, the jar containing the brain was smashed. Feeling that he had stopped Frankenstein, Paul left. However, Frankenstein picked the broken glass out of the brain, finished assembling his creature, and, on a stormy night, brought h to life. The creature’s first act was to attack its creator, and shortly thereafter it escaped into the woods and murdered an old blind man and his grandson. The creature’s rampage was ended by Paul, who shot it in the head with a hunting rifle. Sometime later, Paul visited Elizabeth on the eve of her wedding to Frankenstein, only to find that Frankenstein had operated and returned his creature to life. By threatening to harm Elizabeth, with whom Paul was obviously in love, Frankenstein kept Paul from going to the authorities. Frankenstein used a different method to silence a maid ( Valerie Gaunt) who threatened to blackmail him. He locked her in a room with the creature, which murdered her. Finally, the creature escaped and almost killed Elizabeth. Firing a pistol at the monster, Frankenstein hit Elizabeth in the arm instead. In desperation, Frankenstein set fire to the creature, which then fell into a vat of acid and was destroyed completely. But, coming back to the present, Frankenstein, imprisoned, finds neither the visiting priest nor anyone else believes his story. When Paul Krempe appears at the prison, Frankenstein begs him to confirm the tale, but Paul seeing his ex-companion’s foolishness denies everything and declares Frankenstein mad. The audience learns otherwise when Paul leaves Frankenstein’s cell and joins the waiting Elizabeth, whose arm is in a sling— obviously due to the bullet wound she received when Frankenstein shot at the creature. The Curse of Frankenstein ends w ith the evil Baron being led to the guillotine. On thinking the film over, one can observe occasional flaws. For example, while Frankenstein ages from childhood (played by Melvyrt Hayes } to Cushing’s maturity, Paul looks the same through the years, and even seems younger than Frankenstein by the film's conclusion. And Frankenstein's narration

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