Exile's End by Carolyn Ives Gilman

Exile's End by Carolyn Ives Gilman

Author:Carolyn Ives Gilman
Language: eng
Format: epub
Publisher: Tom Doherty Associates


Rue Savenga was, at heart, an uneventful person. She had always tried to do the right thing within her safe, unremarkable life. She had never considered herself the kind of person to take a courageous stand. That was the realm of ideologues and fanatics.

Now, she found herself thrust into an event that forced her to ask where her basic boundaries were. What line couldn’t she cross? How far would she go to defend her core beliefs?

What were her core beliefs?

The wanton destruction of art, she found, was where she drew her line. It was an act so heinous she could not stand by and let it happen. So when the museum’s attorney asked if she would testify in court, she agreed. She was willing to fight to save Aldry from the flames, even if her own reputation burned instead.

The trial was held in downtown Orofino, in a tall, imposing courthouse where monumental sculpture, marble, and mural dwarfed all who entered, in order to strike them with respect for law. When Rue arrived, there were two groups assembled in the park facing the courthouse, shouting at each other. Public interest was so high that the trial was to be broadcast, and opinion was split. Half of Sarona saw Rue as the defender of their heritage, and would execrate her if she lost. The other half saw her as the defender of long-ago injustice.They would execrate her if she won.

The courtroom’s airwas busy with hushed conversations when she entered. It was a tall and cylindricalspace with a skylight above and stylized, treelike pilasters of polished stone lining the walls. A large circular table stood in the sunken center, surrounded by tiers of seats crowded with press and other witnesses. Rue took her place on the side of the table reserved for the museum’s representatives and their witnesses; on the other side sat those testifying for the Manhu. The judge and clerk sat in the neutral spaces between, facing each other. Rue knew two of the expert witnesses she was facing—magisters from the university who could establish the Manhu-Atoka connection. She nodded to them without smiling.

The aim of Saronan law was to reach a resolution, not necessarily a victory for one side. Each side argued its case, the judge proposed solutions, and if no agreement could be reached, the jury imposed a compromise. But this trial was to be conducted with only a judge, not a jury. Rue had no idea what the calculations had been on either side; perhaps it had something to do with the impossibility of finding a jury whose mind was not already made up.

The judge called on Caraway Farrow to begin the proceedings by stating the case of the Manhu. She did it succinctly: the artworks had been illegally seized by Saronans in the act of suppressing an Atoka religious observance. The Atoka had suffered grievous harm as a result. Now, the return of the items was a vital step toward righting injustice and reviving Manhu cultural practices.

The case that Farrow presented was logical and unflinching.



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