Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond by Martin A. Lee & Bruce Shlain

Author:Martin A. Lee & Bruce Shlain [Lee, Martin A.]
Language: eng
Format: mobi
Publisher: Grove/Atlantic, Inc.
Published: 2007-12-01T00:00:00+00:00

The Great Summer Dropout

Nineteen sixty-seven was a year of stark contrasts. America’s war against the Vietnamese had swollen into a disaster, provoking disgust and condemnation throughout the world. The black ghettos of Detroit and Newark exploded in the summer heat while Aretha Franklin belted out her anthem for women and oppressed minorities: “All I want is a little respect. . .” Yet it was also a moment of highflying and heretofore unimagined optimism as the youth movement reached a dazzling apogee. (Time magazine gave its Man of the Year award in 1967 to “anyone under twenty-five.”) Nowhere was the upbeat sentiment of these turbulent times better expressed than by the Beatles, who embodied in their music and personalities the very principle of change itself.

The Beatles were the foremost lyric spokesmen for an entire generation; millions worshiped their verse as holy writ. Their songs were synchronous with the emotional excitement surrounding Haight-Ashbury. The Beatles were a symbol of the communal group that could accomplish anything, and their unprecedented success fueled the optimism of the times in countless ways. Just before the Great Summer Dropout, the Beatles gave the blossoming psychedelic subculture a stunning musical benediction with their release, in June 1967, of the album Sgt. Pepper’s Lonely Hearts Club Band. Later that month they supplied an anthem for the advocates of flower power, “All You Need Is Love,” in the first live international satellite broadcast, to an estimated audience of seven hundred million people. “I declare,” stated Timothy Leary, “that the Beatles are mutants. Prototypes of evolutionary agents sent by God with a mysterious power to create a new species—a young race of laughing free men. . . . They are the wisest, holiest, most effective avatars the human race has ever produced.”

In their early days the Beatles had popped uppers and downers to keep pace with the rigors of the late-night performing circuit in the bars of Hamburg, Germany. They took whatever was around—French blues, purple hearts, and the “yellow submarines” immortalized in their “children’s song” of the same name. It wasn’t until 1964, after they broke through to rock stardom, that they tried marijuana. The Fab Four got their first whiff of the wacky weed when John Lennon smoked a joint with Bob Dylan at London’s Heathrow Airport. It was a happy high, and from then on the Beatles spent much of their time together stoned.

In early 1965 Lennon and his wife, Cynthia, went to dinner with George Harrison at a friend’s. The host slipped a couple of sugar cubes of LSD into their after-dinner coffee, and things got a little barmy when they left. Cynthia remembered it as an ordeal. “John was crying and banging his head against the wall. I tried to make myself sick, and couldn’t. I tried to go to sleep, and couldn’t. It was like a nightmare that wouldn’t stop, whatever you did. None of us got over it for about three days.” For John the experience was equally terrifying. “We didn’t know what was going on,” he recalled.

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